Anthesis (Napalm Records) is the second full album from Australia’s Suldusk, originally the one-women project of vocalist/guitarist Emily Highfield, but now expanded into a full-band lineup including a violinist and three guitarists, plus a bass player and drummer.Continue reading
Tag Archives: post-metal
ALBUM REVIEW: Bipolar Architecture – Metaphysicize
Since the ending of their previous outfit Heretic Soul, German/Turkish outfit Bipolar Architecture have been on a bleak and introspective evolutionary path. From previous Death Metal roots, the band have seen their sound alter substantially into more expansive territory with the inception of their new band in a short space of time. Now following on from 2022’s brooding Depressionland (Self-Released), latest release Metaphysicize (Pelagic Records) sees them further refine this sound to compelling results.Continue reading
ALBUM REVIEW: Malist – Of Scorched Earth
The one-man riff-driven Atmospheric Black Metal act Malist consists of none other than the ever-talented multi-instrumentalist Ovfrost, who “believes that evil dominates the world”. The project is notable for featuring recurring themes that circulate around tyranny, war, and reclusion. To this day, Malist has released four full-length studio albums in a relentlessly belligerent pace, with the fifth full-length, Of Scorched Earth coming via Avantgarde Music.
Of Scorched Earth also marks the start of a new journey that Malist embarks on with the label.Continue reading
ALBUM REVIEW: Olhava – Sacrifice
Two years after Russian post-Black Metal duo Olhava released Reborn, they return with Sacrifice (Avantgarde Music), their sixth full-length record which is no mean feat considering their self-titled debut only arrived in 2019.
So the word “prolific” might be somewhat of an understatement, as would the words “Long-Player” – as Sacrifice comes in at a whopping eighty-six minutes, quite the run time considering it features just four fully fledged tracks, and four synth/drone interludes. Continue reading
ALBUM REVIEW: GUHTS – Regeneration
GUHTS (presumably pronounced guts?), formed in 2019 and comprises of musicians from Witchkiss, Black Mountain Hunger, SleapingDreaming and Nefariant. And excitingly, Regeneration is being co-released by two excellent labels, Seeing Red Records (US) and New Heavy Sounds (UK).Continue reading
EXCLUSIVE PREMIERE: Uncomfortable Knowledge Shares a New Single “Astral Mark” – New Album Coming Soon
Uncomfortable Knowledge will drop their new album Lifeline in February 2024. Now the post-Rock/Post-Metal band from France has teamed up with Ghost Cult to share their new single “Astral Mark!” Stream the new track and preorder the album now. Continue reading
ALBUM REVIEW: The Keening – Little Bird
Ex-SubRosa leading member Rebecca Vernon embarks on a solo project journey four years after SubRosa’s disbandment under the moniker of The Keening, presenting a full-length consisting of Gothic Chamber Doom elements, accompanied by the feature of a handful of instruments, being flute, strings, harp, French horn, piano, organ, and hammered dulcimer – creating a vast multitude of echoed soundscapes.
ALBUM REVIEW: Blodet – Death Mother
Death Mother (Church Road Records) is the debut full-length from Sweden’s Blodet, and it arrives after the tragic death of their guitarist Rickie Paleski-Östland, who contributed to the writing of the album. In spite of the inevitably difficult process of getting the record finished, it is nevertheless described as “cathartic”, “mesmerising”, and “alluring” by the press release which also draws comparisons to Chelsea Wolfe, Cult of Luna, and Sonic Youth.
ALBUM REVIEW: Rorcal – Silence
Rorcal’s new album may be called Silence… but what it supplies is anything but, as it dives deep into a tumultuous cavern of Blackened Doom Metal, which is ferocious in its delivery and bleak in its tone. The Swiss five-piece have been creating their dark fusion of blackened post-Metal since 2006 and Silence (Hummus Records) is their sixth full-length album.
ALBUM REVIEW: Great Falls – Objects Without Pain
Well into a decade now, Seattle, Washington’s Great Falls have perhaps been an underrated entity, but they certainly are a special one. Their sound embraces the arena around noise rock and post-hardcore, and they have proven to be a strongly emotive force. Some changes in personnel and a previous EP release in Funny What Survives created high expectations about a long-awaited follow-up album, if not quite preparing anyone for how quite distressing it would prove to be.