INTERVIEW: Oberst Talks Upcoming Album “Toil”, Favorite Deathwish Inc. Rosters, and Best Gig Experiences


The four-piece, Oslo-based act Oberst started embarking on a continuous sonic journey in 2015. Initially formed out of mutual love and passion for music, the quartet then found common interest in bands like Mastodon, Baroness, Converge, and Cult of Luna. Their music is mostly a combination between hardcore, post-metal, and progressive metal, strongly characterized by atmospheric riffs and intense vocals resulting in captivating resonances.

Having received critical acclaim on their self-titled debut EP, the band has received a lot of media coverage as well such as being featured on the Norwegian TV series Unge Lovende and having their EP played by the Norwegian national radio. Continue reading


ALBUM REVIEW: Eternal Storm – A Giant Bound To Fall


The selling point for A Giant Bound To Fall (Transcending Obscurity Records), the latest full-length from progressive/melodic death metal outfit Eternal Storm, is the simple fact that every song on the record brings something different and unique to the table. Continue reading


ALBUM REVIEW: The Last Ten Seconds Of Life – No Name Graves


Delving into No Name Graves (Unique Leader), a constant quickly becomes evident.

The majority of the songs on the latest effort from Deathcore outfit The Last Ten Seconds Of Life feels introductory. Which is to say the tracks routinely edge listeners by delivering about seventy percent but never really breaks the surface.Continue reading


ALBUM REVIEW: Hiraes – Dormant


The title of Hiraes’ new album, Dormant (Napalm Records), caught me a bit off guard.

The word “dormant” conjures images of calm, rest, inactivity. Yet, I’ve seen them play and listened to their first album numerous times, and nothing led me to believe that the band would be entering such a period or engaging in such a manner. Continue reading


ALBUM REVIEW: Enterprise Earth – Death: An Anthology


The sign of a confident album is when the guest appearances bolster rather than salvage the work put in by the primary artists. Thus, Enterprise Earth’s Death: An Anthology (MNRK Heavy) is a certified scorcher in which the 11 featured tracks stand tall, both independently and as an aggregation of technically aligned Deathcore.

The wealth of intricacies and variety is but the starting point for this behemoth. So let’s get into it.Continue reading


ALBUM REVIEW: meth. – SHAME


Hey kids! Do you like having a really bad time? Well, meth. are here to grind your face right down into the dirtiest pit of despair (or possibly drag you down into the pit of despair they already found themselves in). And they look like such a carefree bunch in their promo photos!Continue reading


INTERVIEW: Locked In A Vacancy On Their New EP, New York Hardcore and Metal History, and More!


Ghost Cult Keefy caught up with most of the guys in Locked In A Vacancy! They released their recent EP “Before The Dawn” in December, 2023. They were a key band in the New York Hardcore, Metal, and Death Metal scene in the late nineties and early 2000s, and have opened for the likes of Hatebreed, Biohazard, Candiria, Cryptopsy, Dying Fetus, The Haunted, The Dillinger Escape Plan, Zao, and many others. We chatted with the band about their comeback, signing with Fuzz Therapy Records, a chat about the Metalcore and Deathcore genres (starting with Bronx Deathcore), keeping the fun in Metal, and much more!Continue reading


ALBUM REVIEW: Abhoria – Depths


Whilst Los Angeles’ Ashen Horde may have favoured a more Northern European tint their Black Metal sound, members of that band have gone on to form Abhoria. On Depths (Prosthetic Records) they continue to uphold their legacy of legitimacy seamlessly. This means they can create an authentic mood to translate this sound tangibly, however, there still is the question… can you write a song?Continue reading


ALBUM REVIEW: Lucifer – Lucifer V


In the beginning … there was Lucifer! And now this fifth full-length outing for the “occult metal” outfit proves to be a thoroughly satisfying, good ol’ heavy rock ’n’ roll album which, at its very best – the outstanding “Slow Dance In A Crypt” – can be downright beautiful and utterly beguiling.

With song-writing nous, all-round playing chops and excellent production, including a superb, crunchy guitar sound, Lucifer V (Nuclear Blast Records) has at its heart the clean, clear, commanding voice of Johanna Platow Andersson.Continue reading