Tag Archives: indie

EP REVIEW: Swervedriver – The World’s Fair  

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Swervedriver were formed in 1989 and lumped into the Shoegaze genre, alongside Lush, Chapterhouse, My Bloody Valentine, Slowdive, and fellow Oxfordians Ride. The band’s catalogue is extensive and consists of six full-length albums and eight EP’s of which The World’s Fair is the latest; the latter following up from last year’s outtakes/ demos collection Doremi Faso Latido (aka CD3 of the band’s reissued-classic-99th-Dream). The band’s somewhat sizeable catalogue is impressive even taking into account the fact that they had disbanded for a period of eight years, 1999 – 2007 with frontman Adam Franklin going on to forge an equally productive solo career under his own name as well as part of the bands Toshack Highway, Magnetic Morning and the Sophia collective. Continue reading →


ALBUM REVIEW: Fightmilk – No Souvenirs

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The sign of a good album is when it reinvigorates your appreciation for a musical genre or style.

Take Fightmilk. No Souvenirs (Fika Recordings/INH Records) is the latest full-length from the Indie/Pop Punk outfit. The songwriting is enticing and clever; satirical at times but not haphazard or misguided.Continue reading →


ALBUM REVIEW: Touché Amoré – Spiral In A Straight Line

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Spiral In A Straight Line (Rise Records) is Touché Amoré’s sixth album. They are not only more confident in who they are as a band, but continuing the journey fussy they are not capable of explosive emotional outbursts as heard in the song. This is handled in a more Punk way, with less overt emoting. The more polished production compliments the progression of their creative path, with the guitars being where growth is most evident. On a song like “Hal Ashby” they embrace the late nineties all over again thanks to the jangle of the guitars. This feels the most like what we once called Emo with a punk drive that thankfully owes more to Hot Water Music than Blink-182.Continue reading →


ALBUM REVIEW: Vafurlogi – Í vökulli áþján

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The Icelandic music scene has always been an integral part of me that shaped my identity into the person I am today, ever since I was a middle schooler (which is also what got me into learning Icelandic at 12. Who on earth learns Icelandic at 12, in this economy?). The metal festival Eistnaflug and the multi-genre festival Iceland Airwaves have always been on my ongoing bucket list.Continue reading →


ALBUM REVIEW: Alcest – Les Chants de L’Aurore

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Alcest began as a solo Black Metal project for French musician Neige at the turn of the millennium, and have since forged themselves a fine reputation as one of the pioneering bands of the Blackgaze sound. Continue reading →


INTERVIEW: Shybaby Is Ferocious and Romantic on the Debut Album “Is This Intimate”

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Brooklyn-based DIY Punk Shybaby doesn’t shy away from screaming her heart out and expressing her unapologetic vulnerability on her debut album Is This Intimate. Released on March 1st, 2024, she admits this project was an attempt to say all the things she’s been longing to convey. Reminiscent of a modern-day Debbie Harry of Blondie, Shybaby infuses DIY punk with Ramones-esque bubblegum flavor to create a body of work that brings a brutal burst of color to the current punk scene.Continue reading →


ALBUM REVIEW: Frank Carter and The Rattlesnakes – Dark Rainbow

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If every action has an equal and opposite reaction (or some such other attempt to pretend I paid attention in Science class all those years ago), it is no surprise that Dark Rainbow (International Death Cult) thinks where Sticky bounded in head-first, that it shows vulnerability where its predecessor presented a larger-than-life gregarious face. 

Fifth dance for Frank Carter & The Rattlesnakes, Dark Rainbow sees Frank and partner-in-crime Dean Richardson continue their approach of creating a sound and style for each album that, while it has definable elements that ensures that despite any skin that is shed the remaining vipers are undeniably “Rattlesnakes”, sets each release apart from it’s siblings. Continue reading →


ALBUM REVIEW: Baroness – Stone

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Since the music of Baroness has been unlike any other band to me, and more akin to a spiritual experience since I first got into them in 2007, I set the mood for myself before listening. I turned the lights down low, cracked the window open to get a nice breeze going, and heard the sound of large late summer raindrops filling my ears. The city’s heartbeat in the deep background was the only other sound besides my breathing. I just stared at the new album artwork for five straight minutes. At peace for a change, in the still and calm of myself, and by chance, present in the city of my birth for a few days, I hit play on the promo and then let the first notes hit me. 

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ALBUM REVIEW: Mr. Phylzzz – Fat Chance

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Amphetamine Reptile, remember them? The legendary Noise-Rock label home to countless legends such as Helmet, Melvins, The Jesus Lizard, Tar, etc etc. In later years a newer generation of bands emerged that includes Gay Witch Abortion, White Drugs, Hepa-Titus, and of course Mr Phylzzz. 

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EP REVIEW: PLAIINS – Puppet – self-released

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It’s not every day you come across a band with members from Hong Kong, Israel, and Germany, giving them such universally diverse perspectives as the shameless genre-benders of PLAIINS – let alone ones with the musical chemistry to create an EP like Puppet (Self-Released). Through a seamless blend of punk, indie, hardcore, and alternative rock, the multicultural trio uses their range of experiences to oppose political issues from around the globe. Thus, making them lyrically relatable across nations, as well as sonically appealing to indie and punk fans alike.Continue reading →