ALBUM REVIEW: The Cure – Mixes of a Lost World


The Cure’s Songs of a Lost World was my favorite album of 2024, so hearing it remixed by 24 different artists gave me pause. It’s not the first time Robert Smith has loosened his notoriously tight grip to allow artists to remix his work. With Mixes of Lost World (Fiction Records), it’s obvious Smith was in control of curating who he trusted with these songs. There are the obvious culprits who you almost expect having their hand in a re-mix album like Paul Oakenfold and Oribital, then he handed it over to bands in his close circle like tour-mates The Twilight Sad and Mogwai to not just prep the songs for the dance floor but applied their instruments into their reworkings which were both very true to the creative spirt of the band.  Continue reading →


ALBUM REVIEW: Vafurlogi – Í vökulli áþján


The Icelandic music scene has always been an integral part of me that shaped my identity into the person I am today, ever since I was a middle schooler (which is also what got me into learning Icelandic at 12. Who on earth learns Icelandic at 12, in this economy?). The metal festival Eistnaflug and the multi-genre festival Iceland Airwaves have always been on my ongoing bucket list. Continue reading →


ALBUM REVIEW: Ministry – HOPIUMFORTHEMASSES


Ministry’s long career began back in 1981 and has seen many different incarnations over the proceeding 43 years with the one constant of producer/singer/multi-instrumentalist Al Jourgensen steering the ship throughout. It’s fair to say the band have had to navigate some severely choppy waters over the decades, with a revolving door style policy of other personnel joining the larger-than-life frontman in his lifelong musical pursuit, and with various controversies never too far away. Continue reading →