Since 1987 Kevin Rutmanis has been involved in the production of a steady stream of records with bands such as Minneapolis Noise-Rock legends Cows, Sludge Grunge titans Melvins, supergroup Tomahawk, Hepa/Titus, and now Lord and Lady Kevin.
Tag Archives: electronic
ALBUM REVIEW: Luna Honey – Bound
When the music leads you into strange lands and genre categorisations start to feel like a near-impossibility, thank the heavens for Luna Honey who save us from wandering the streets at night, lost in perplexed reflection. Continue reading
ALBUM REVIEW: Amerta – Nodus Tollens
As a result of years of persistence and hard work in exploring the immense depths of their own resonances, Jakarta-based post/sludge/power metal collective Amerta embarks on a new profound milestone through the release of their first full-length entitled Nodus Tollens (Self-Released). Through this release, this Indonesian multi-genre unit invites their listeners to venture on an enigmatic journey fueled by existential dread, contemplations, and the inner conflicts that mankind collectively faces against the banality of everyday chaos and mayhem in the form of an in-depth listening experience. Continue reading
ALBUM REVIEW: Rat Boy – Suburbia Calling
Hitching their wagon to both Ska influences and Pop-Punk/Alt Rock proclivities, Rat Boy opts for colorful and lively compositions all across new full-length Suburbia Calling (Epitaph Records).Continue reading
ALBUM REVIEW: God is War – Boogeyman Inc.
God is War, formed in 2018, is the solo project of Mack Chami. Boogeyman Inc. (Profound Lore) is his latest offering, featuring seven tracks of glitching, abrasive, instrumental industrial noise music.Continue reading
CONCERT REVIEW: Leprous – Annex Void – Nighdrator Live at The Crofoot
Pontiac is a northern suburb of Detroit known for having colorful nightlife and last Tuesday evening proved why. Their downtown was a buzz with streets closed and stages set up. The Crofoot, an acclaimed entertainment complex, was hosting a community concert series with hundreds of locals gathered. The venue was also hosting Norway’s own Leprous who is on a headlining tour promoting their new album, Melodies of Atonement (InsideOut Music). Having provincial rap acts perform outside and having a hot, progressive band play inside showed off the versatility and innovation of the beloved music venue. Continue reading
ALBUM REVIEW: Vafurlogi – Í vökulli áþján
The Icelandic music scene has always been an integral part of me that shaped my identity into the person I am today, ever since I was a middle schooler (which is also what got me into learning Icelandic at 12. Who on earth learns Icelandic at 12, in this economy?). The metal festival Eistnaflug and the multi-genre festival Iceland Airwaves have always been on my ongoing bucket list.Continue reading
ALBUM REVIEW: Leprous – Melodies of Atonement
Leprous is a band that stands apart from other progressive acts. Their ability to effortlessly experiment while remaining exceptionally grounded in their superior signature and skillful sound is uncommon. This Norwegian five-piece has been labeled as unique and is known to be creatively inventive within the heavy music sphere. Each record they make manages to explore new ground and deliver world-class wonders. They are about to release their eighth full-length record, Melodies of Atonement (InsideOut Music) and its distinctively different approach compared to their previous works proves once again how aptly ingenuous the band is. Continue reading
ALBUM REVIEW: Kingcrow – Hopium
Hailing from Rome and with a name inspired by Edgar Allan Poe’s poem Raven is Kingcrow, after a six-year gap between albums they are back with Hopium (Season of Mist). Theirs is an emotive brand of Prog Rock but the Metal of the previous album The Persistence, has been dialled down with atmospheric, ambient, Electronic, and Alt Rock elements playing a larger part. Continue reading
ALBUM REVIEW: Bangladeafy – Vulture – Nefarious Industries
Eschewing entirely the notions of guitars and bass, two-piece Industrial / Electronica / call-it-what-you’d-like outfit Bangladeafy take a less-is-more approach for sixth full-length, Vulture (Nefarious Industries), with a (pleasingly) heavy emphasis on blending songs into the next, cementing that this record should be listened to the old-school way.Continue reading