ALBUM REVIEW: SUMAC – The Healer


Six albums into their career, SUMAC stretch the limits of what Metal can be with The Healer (Thrill Jockey Records) — a four-song, 76-minute double album of fluid, evolving, at times seemingly freeform Jazz Metal that requires some patience, but impresses with its expressiveness and creativity.  Continue reading


ALBUM REVIEW: Fu Manchu – The Return of Tomorrow


Fu Manchu formed in 1985 as Hardcore-Punk outfit Virulence whose sole release  1988’s If This Isn’t A Dream… has been reissued by Southern Lord. After this came a name and musical style change reminiscent of Corrosion of Conformity who undertook a similar evolution themselves. Continue reading


ALBUM REVIEW: Insect Ark – Raw Blood Singing


On Raw Blood Singing (Debemur Morti Productions), Insect Ark returns with an otherworldly and compelling sci-fi landscape of noir, subtle menace and mystery.  Continue reading


INTERVIEW: Tom Osman Interviews My Dying Bride’s Andrew Craighan About “A Mortal Binding”


In this episode, Andrew Craighan, founding member and guitarist of ⁠My Dying Bride⁠, has a compelling discussion with Tom Osman about the band’s latest release, “A Mortal Binding,” available now via ⁠Nuclear Blast Records⁠. Gain a deeper understanding of the album’s concepts and the band’s enduring influence on the metal genre.Continue reading


ALBUM REVIEW: Khanate – Clean Hands Go Foul – Capture and Release


Having reemerged from its dank void of horror to release To Be Cruel in 2023, deconstructed-avant-doom entity Khanate continues to be pulled piece-by-piece from the mud, as the band’s third and fourth records — 2005’s Capture & Release and 2009’s Clean Hands Go Foul (Sacred Bones Records) — get shined and buffed for physical reissues. Continue reading


ALBUM REVIEW: Dopethrone – Broke Sabbath


It is well-known to not judge a book by its cover. 

However, Canadian sludge titans, Dopethrone, dropped one of the coolest album titles yet, Broke Sabbath (Totem Cat Records). Super descriptive for anyone who has not given these Stoner, Doom-infused sludge gents a shot yet. Seven tracks spanning just shy of forty minutes is the perfect length to see what the group is all about as they drag you through the muddy waters out to a clearing to end you.Continue reading


ALBUM REVIEW: Göden – Vale Of The Fallen


Violins will and should always belong in various subgenres of Metal, and when done right, the addition of a classical string instrument can transport listeners to vast transcendent landscapes – see Dawn Ray’d (RIP).Going even further and introducing new or grossly underutilized techniques can (and often does) represent a beacon of freshness for both the musicians and fans alike.Continue reading


ALBUM REVIEW: Pallbearer – Mind Burns Alive


Five albums into their career, the fact Pallbearer was once a Doom Metal band has faded into the haze of the atmosphere that dominates Mind Burns Alive (Nuclear Blast Records). Of all the metal sub-genres, fans of doom metal are the most forgiving when it comes to a band outgrowing the confines of the genre. Perhaps this is just Brett Campbell’s beautiful singing voice distracting you from the lyrics, which are as equally as bleak as those on the previous album. There might be a marginally more optimistic tone to “Where the Light Fades.” These depressive expressions are a thread of continuity tethering this bands’ entire body of work. Continue reading


ALBUM REVIEW: Sunnata – Chasing Shadows


Poland‘s Sunnata emerges from the cloud of smoke that shrouded the band on their last album to jam out their brand of grunge-out psychedelia. Continue reading