Harvestman (Steve Von Till) Shares a New Single and Video for “Galvanized And Torn Open” – New Album Coming Soon



Harvestman – the psych/ambient project of Steve Von Til (Neurosis) – has shared the new single,  “Galvanized And Torn Open,” along with a psychedelic visualizer video. The song is the latest preview of Triptych: Part Two, the second installment of the three-album Triptych series. It is  due for release on Von Till’s own Neurot Recordings, July 21st. Check out the new video and more below.
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ALBUM REVIEW: SECT – Plagues Upon Plagues


Former Cursed frontman Chris Colohan, is the driving force behind SECT’s dark take on Hardcore. Colohan might not be the band’s most well-known member (which would be Fall Out Boy’s drummer Andy Hurley), but regardless, it’s Colohan’s voice that sets apart their new album, Plagues Upon Plagues (Southern Lord) from the current resurgence of metallic Hardcore bands. Colohan’s husky croon gives a wink in the direction of Neurosis. His approach not only brings the articulated lyrics to the forefront but adds more depth to the dark tension of the music. When he does begin screaming as the punch of the riffs hits home, it has a greater dynamic impact. Continue reading


ALBUM REVIEW: Khanate – Clean Hands Go Foul – Capture and Release


Having reemerged from its dank void of horror to release To Be Cruel in 2023, deconstructed-avant-doom entity Khanate continues to be pulled piece-by-piece from the mud, as the band’s third and fourth records — 2005’s Capture & Release and 2009’s Clean Hands Go Foul (Sacred Bones Records) — get shined and buffed for physical reissues. Continue reading


ALBUM REVIEW: Mountain Caller – Chronicle II: Hypergenesis


Mountain Caller’s latest release, Chronicle II: Hypergenesis (Church Road Records), is the much-anticipated follow-up LP to 2020’s Chronicle I: The Truthseeker. The London-based three-piece (Claire Simson on guitar, El Reeve on bass, and Max Maxwell on drums) perform mostly instrumental music that (so it is said) “[transcends] language and [communicates] through the universal language of sound”.

And, true to the words of the press hype in question, Hypergenesis does indeed cross musical boundaries in a way that, whilst not entirely new, feels burstingly fresh and urgent.Continue reading


PODCAST: Episode 228 – Duncan Evans Interviews Producer and Musician Marc Urselli About his “SteppenDoom” Album


 

Ghost Cult scribe Duncan Evans caught up with acclaimed music producer and artist Marc Urselli (U2, Foo Fighters) to discuss his new album Marc Urselli’s SteppenDoom, out now via Magnetic Eye Records.  Duncan chatted with Marc about his producing career, the unique new album combining stoner doom with indigenous music, working with a bevy of special guests such as Matt Pike (Sleep, High On Fire), Aaron Aedy (Paradise Lost), Steve Von Till (Neurosis), Christopher Juul (Heilung), Dave Chandler (Saint Vitus), And Scott “Wino” Weinrich (The Obsessed) From The Metal Side, and masters of Throat Signing such as Alash Ensemble, Batzorig Vaanchig “Zorigoo”, Huun-Huur-Tu, Tanya Tagaq, Albert Kuvezin (Yat-Kha), and Alexey Tegin, and much more! Continue reading


INTERVIEW: Jesse Matthewson of KEN Mode Discusses “Null”


 

Like a deadly, grizzled beast that lurks in the shadows, KEN Mode emerges every few years with a new record, tearing off limbs as it goes, before skulking back into its pit. With September 23rd seeing the release of Null, on Artoffact Records — the band’s eagerly anticipated follow-up to 2018’s Loved — founder and singer/guitarist Jesse Matthewson talks about the new record and what keeps the KEN Mode fires burning.   Continue reading


ALBUM REVIEW: Gaerea – Mirage


 

Yes, I think I’ve figured it out. What’s that? Well, I’m listening to Gaerea’s Mirage (Season of Mist) and for whatever reason, my brain keeps bringing up modern-day Lorna Shore. How does that make any sense, you ask? The former is clearly a black metal outfit, while the latter traffics in the death metal – deathcore, whatever – side of things. Sure, but as stylistically distinct as they are, boy do both bands enjoy being self-indulgent.

How so? 

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