Imagining what sounds the absence of something emits can be as intangible as it is incomprehensible. A garden of dead flowers, for example, would presumably lack much in the way of disturbances or noises. Yet, Death Goals penned a soundtrack for that scene and it’s deranged, cantankerous, and irrepressible.
Fires In The Distance do not do anything halfway.
Since 2021’s debut Billboard-charting opus Echoes From Deep November, the melodic doomsters set out on a course to carve out their colossal identity. As a response, Air Not Meant For Us transcends music. With larger-than-life compositions and stunning atmospherics, the Prosthetic Records release averages nine minutes a song and impressively builds on FITD’s earlier success.
Since the release of their single and accompanying music video, the anticipatory excitement for Dawn Of Ourboros’ sophomore record has been palpable, to say the least.
United Kingdom-based bruisers Veiled opted to release ‘Relinquished’ as the first single to give a taste of what was to come in the form of EP The Black Rite (Seek & Strike). Continue reading
One of the many things to appreciate about Sunrot’s second full-length is the opener, ‘Descent.’
Not only is the title extremely indicative of the track – and the record, The Unfailing Rope (Prosthetic Records), as a whole – it also gets right to the point of what the New Jersey-based sludge metal/noise band is trying to achieve: uneasiness and mind play.
Metal is allowed to be fun, especially when three heavyweights collide in a tri-split that not only features original songs from each, but unlikely cover tracks which allow for displays of versatility.
There is nothing – nothing – clean about Allfather.
Not the production or tuning; not the various vocal methods; not the atmosphere or tone.Continue reading
For forty uncertain, eerie and downright unsettling minutes, black metal project Lamp Of Murmuur grips the listener with a sturdy hand and refuses to let go until fear, disgust and melancholy take over.
Over the last few years, the likes of cybergrind and mathcore have reared their ugly heads into the musical zeitgeist, for better or worse, introducing to the world new visions when it comes to how to write and perform music. Enter Codefendants, a newly formed trio consisting of Fat Mike, Sam King, and Ceschi Ramos. The group’s debut album, This Is Crime Wave (Fat Wreck Chords, Bottles To The Ground), is their titular foray into a new world that combines hip hop, new wave, and an underlying dose of punk rock.
Eschewing hip-hop elements and influences, Alabama hardcore outfit Gideon returns with a metallic, crunchy slugfest that is More Power More Pain (Rude Records/Equal Vision), the bruisers’ sixth full-length record.