SKAM are a trio from Leicester who make a big noise. Their new album From The Depths (Self-Released/Earache Digital Distribution) is their fourth offering and follows the time travelling concept of 2017’s The Amazing Memoirs of Geoffrey Goddard with straight-up, high octane Hard Rock.
Tag Archives: Independent
ALBUM REVIEW: Dirty Honey – Dirty Honey
In 2019 things were on the up for the independent LA quartet Dirty Honey; their debut single ‘When I’m Gone’ topped the Billboard Mainstream Rock charts, they toured with Alter Bridge, Guns n Roses, and The Who and sold out their first headline tour in the first two months of 2020 but then covid reared its ugly head put life on hold. Finally things are opening up again and their debut album Dirty Honey is out, and its sound is firmly rooted in 1970s rock.
ALBUM REVIEW: Gorgatron – Pathogenic Automation
While the world continues to try and resume some sense of normalcy, the world of extreme music continues to grind through what a terrible year 2020 has become. Gorgatron, deathgrind vets from Fargo (don’t cha know?), have dropped their third grimy release on this Earth in the form of Pathogenic Automation (Self-Released). The record does a great job of smashing your skull into obscurity over a forty-minute period but without overkill causing any harm to itself. Trying to save yourself from blowing your neck out is futile as there are no moments to catch your breath across the entire recording.Continue reading
ALBUM REVIEW: Vacant Eyes – A Somber Preclusion of Being
So, this album is called A Somber Preclusion of Being (Independent), huh? Cool, I’ll give this Vacant Eyes band a try. They’re from Massachusetts too? Great, I like supporting artists from my neck of the woods. What’s the worst that can happen? About seventy-five minutes have gone by and I think I may need a nap. The brain can only take so much.Continue reading
Jason Rainey, Former Guitarist of Sacred Reich, Dead at Age 53
Sad news to pass on as Thrash Metal legend Jason Rainey, a founding member of Sacred Reich has died. Jason was just 53. He died of a heart attack on the night of March 16th and was reported to the world in a Facebook post by his wife and later his former band. As the co-founder and rhythm guitarist of Sacred Reich, the classic second wave of thrash metal band is essential to the genre. Rainy co-wrote several songs on their early essential releases Igonarance, The American Way, Surf Nicaragua EP, Independent, Heal, and the live album Still Ignorant. Rainey was dismissed from the band in 2019 due to health issues and he was apparently embittered about the split. Rainey had also been a tour manager and guitar tech in his career. We send our condolences out Jason’s, family, friends, and fans at this time. Continue reading
EP REVIEW: Lonely Dakota – End of Days
Despite their stateside sounding name Lonely Dakota are a British quartet who formed at the tail end of 2015. With a few lineup changes and singles in between, including 2018s ‘Dead Stories’, this year saw the release of their debut EP End of Days (Self-Released) – serving up the kind of Post-Grunge that Shinedown and Seether built a career on. The plaintive melody and general melancholic aura of opening track ‘Victoria’ sets the tone for this five-track offering, emotive Hard Rock with radio-friendly sensibilities and a nagging sense of deja vu.Continue reading
Orchid – Miasma
Despite a heavy music scene that is abundant in talent, not many of India’s Metal bands have appeared on the radar outside of their native country. Aside from the likes of Demonic Resurrection especially, Bhayanak Maut and (although more an international band) Skyharbor, India’s Metal scene is still a hidden entity to many on the outside. With a formidable live presence and with an exciting debut full length in Miasma (self-released), if there is any justice, Mathcore mentalists Orchid should be poised to be the scene’s next breakout.Continue reading
A Light Within- Epilogue
Seeming to be a relatively unknown entity, Kansas based post-Metallers A Light Within has developed a small cult following over the course of two previous, strong releases. The closing piece of their linked trilogy, latest EP Epilogue (all self-released) takes all the foundations they built before and closes it with significant levels of improvement, and a new found production level (mixing courtesy of Acle Kahney of TesseracT fame) which shows a heightened ambition.Continue reading
Cormorant – Diaspora
Across a four-album lifespan, Bay Area’s Cormorant had consistently proven to be one of metal’s true and brightest hidden gems, offering a branch of Black Metal which takes as much worship from progressive giants such as King Crimson as it does from Extreme Metal’s icons. Still independent to this day, Cormorant have always showcased a meticulous detail that encompasses not only their rich and textured music, but even down to their vibrant, detailed and often awe-inspiring artwork. Having always shown true forward thinking and near limitless artistry, it is simply staggering that their fifth release Diaspora (self-released) breaks their mould even further, and is without a doubt their boldest offering to date.Continue reading
Saint[The]Sinner – Masquerades EP
Since Kiefer Sutherland’s piercing, well, I was going to say eyes but let’s go with teeth, made rock chicks around the world swoon and crick their necks to be bitten, vampires and rock/metal have been more than bedfellows, with both aesthetics, lyrics, band names and even subgenres and scenes entwined. Cradle of Filth blew up by cleverly playing the vampire game (no, not ‘I Vant To Bite Your Finger’), Atreyu resurrected the spirit of the Old Ones in their ascension, Korn temporarily buried their career by associating themselves with the Queen of the Damned, even the hippest of the underground, Tribulation, danced with the children of the night earlier this year, Manowar penned one of their best songs (‘Each Dawn I Die’) in honour of the sleepless, and let us not forget Aiden, the dumb bastard black (formaldehyde) sheep of the flock…
And so Saint[The]Sinner have exhumed a classic, pale theme for their sprightly, theatrical pop-rock meets post-hardcore, and it’s a cape they wear well as, with a flourish, they swoop down on ‘Theatre Of Broken Dreams’ haunted house intro and sink their incisors into a vibrant, hurtling, fast paced metalcore lead off track to new EP Masquerades (self-released). As twin vocals trade-off, the throatier screams give way to an engaging, welcoming chorus and a pattern is set.
Keeping energy levels up throughout is one boon of Masquerades, a Premier League production is another, allowing the endearing and vigorous song-writing to flourish and (widow’s) peaks to peak. With the clean vocals adding an off-centre Panic! At The Disco feel to their arsenal, particularly on lead single ‘She’s A Vampire’, it’s a welcome addition to the heady mix of AFI, Atreyu, Avenged Sevenfold and Dommin that is sure to see the band on a steep upward trajectory their burgeoning and bloody talents deserve.
The camp horror theme is a cute touch, but don’t let it detract from the fact that the English South Coast crew have summoned forth a beastly set of strong, gratifying, grin-inducing tunes. Saint[The]Sinner have hit the mix right on the money; whether it’s clean or scream on the vocals, it’s all about being dramatic and leaving those hooks in you, as fangs lock into your flesh and notable melodies are injected like venom into the bloodstream in a way that reminds you that, you know what, sometimes this metal thing is about energy and fun, and each track sounds like it was a (monster’s) ball in the creating.
8.0/10
STEVE TOVEY