Hot on the heels of 2023’s excellent Nature Morte, experimental doomgazers BIG|BRAVE release their sixth full-length record, A Chaos Of Flowers (Thrill Jockey Records). Continue reading
Tag Archives: Experimental
ALBUM REVIEW: Mario Lalli and The Rubber Snake Charmers – Folklore From The Other Desert Cities
Mario Lalli is a legend in the Desert Rock scene whose career started in the mid-eighties with a short-lived outfit, Across the River. From there, he’d form Yawning Man and then Fatso Jetson, (the latter with brother Larry and who’d put out their first couple of releases on the legendary SST Records label). Other bands such as
would come and go over the years, not to mention a never-ending raft of guest appearances. Continue reading
ALBUM REVIEW: Kollapse – AR
The newest offering from Kollapse is by no means something that should be consumed whilst in a distraught headspace. AR (Fysisk Format Records) is as much an introspection as it is a complex collection of seven Noise Rock, Sludge, and experimental tracks from the Danish trio. Continue reading
ALBUM REVIEW: Atreyu – The Beautiful Dark of Life
With music festivals leaning into the resurfacing of Myspace-era nostalgia, it is not surprising these guys have a new album out. Atreyu’s newest effort The Beautiful Dark of Life (Spinefarm Records) not only revives the head-banging brand of emo your “top 8” friends were once into, but it picks up where they left off with 2021’s Baptized. Continue reading
ALBUM REVIEW: Racetraitor – Creation and the Timeless Order of Things
In dire times of crisis and injustice caused by oppressive systems, the least we can do is to voice our aspirations through the creative media that we have going – and that’s what the hardcore unit Racetraitor have been doing. Racetraitor has always been a band that’s ahead of their time – voicing opinions on systemic racism and white privilege before they were even often discussed in a large audience.
EP REVIEW: The Amenta – Plague of Locus
When a new review arrives in my inbox, I often listen to the music first before reading any release info from the band. I like to let the music do the talking before I check out any info from the PR agent. It wasn’t until I read the release info did I come to notice that The Amentia’s latest release Plague of Locus (Debemur Morti) contains a bunch of cover songs. Clearly, The Amentia were able to take a few tracks from bands that inspired them and to transform them into songs of their own.
ALBUM REVIEW: Darkplace – About the End of the World
There are a few artists in history whose identity is shrouded in secrecy – The Residents, Buckethead, the majority of Goat and Darkplace. In an age where social media is so prevalent and where privacy is seemingly such a dirty word, it’s refreshing that Darkplace has chosen to keep himself/herself(?) anonymous so as to let the music do the talking. Based in Sweden About the End of the World (Icons Creating Evil Art) marks the mysterious entity’s debut full-length.
ALBUM REVIEW: Avenged Sevenfold – Life Is But A Dream…
Avenged Sevenfold are potentially one of the most divisive metal acts out of the US since Metallica. All you need to do is look at their previous two albums, 2013’s Hail To The King & 2016’s The Stage to see the extreme polar oppositions these albums created. The former for how the band wore their Metallica influence on their sleeve, creating their own version of The Black Album, and then the following 2016 release throwing all of their previous influences and sounds up in the air, bringing in outside sources from the likes of Pink Floyd, and creating a wholly new progressive rock/metal experience.
ALBUM REVIEW: Dødheimsgard – Black Medium Current
With the first release in eight years, Norway’s Dødheimsgard return armed with a reputation for the abstract and the almost absurd. Formerly a more pure Black Metal act, 1999’s seminal 666 International saw the band broaden their sonic palette to incorporate a widening range of styles within their sound, often incorporated in sudden ways as opposed to fluidly throughout, with 2015’s return, A Umbra Omega, receiving plaudits and adding to their cult following.
ALBUM REVIEW: Enslaved – Heimdal
At this point some thirty years into their illustrious career, Enslaved have truly transcended into their own musical entity. Creating a genre in their own image with a highly unique sound that still stays true to their extreme metal roots, but also blends the darkness with the light of progressive rock, and providing two distinct and opposing vocal styles in a way that no other band does.