Photo credit: Ville Jurrikkala
Keefy sits down with Nick Holmes of Paradise Lost to explore their latest studio effort, Ascension, released September 19, 2025 via Nuclear Blast Records. This is the band’s 17th album, their most refined work in years, blending gothic metal and death/doom with a clear creative focus. Nick explains how the songwriting process has evolved, self-producing, and how they balance heaviness and melody while staying true to the Paradise Lost sound.Continue reading
Ukrainian blackened stoic sentinels 1914 conjure their fourth full-length pantheon, Viribus Unitis (Napalm Records), Latin for “With United Forces.” The colossi title unveils the resilience through destruction and malice brought from war, building on the band’s acclaimed concept, delving further into vehemence and severity. Continue reading
In this new interview, Stavros Giannopoulos (The Atlas Moth) talks the low-key Chicago supergroup Motherless, and their new debut album, “Do You Feel Safe?” – out now via Prosthetic Records! Stavros catches us up on the last few years of life, the formation of Motherless (also ft. Alex Klein of The Atlas Moth, Gary Naples and Anthony Cwan of Without Waves). He discussed how group came together, the Chicago scene, his sister’s amazing Pit Bull rescue in Chicago, the finer points of the the new album, and what the future of The Atlas Moth looks like.Continue reading
It can only be attributed to an act of divine blessing that the world has been treated to the match made in heaven that is Mastiff and Church Road Records.
The new Tombs album, Feral Darkness (Redefining Darkness), is another chapter in the sonic tome chronicling Mike Hill‘s travels to throb of the abyss. To say this sounds like a Tombs album is a broad statement that neglects the stylistic shifting due in some part to the band’s revolving lineup. The first thing you might notice upon first listen is that there are fewer Black Metal moments. Instead, the album is driven by the kind of aggression that characterizes Death Metal. The vocal approach is not all guttural. Forceful declarations, not unlike what you might have heard on a Celtic Frost album. Continue reading
Best known for combining belligerent heaviness with emotionally charged atmospheres and in-depth progressions, Chicago Death-Doom unit Novembers Doom have always been one to produce sounds that are difficult to categorize into certain binaries– to define is to limit, after all!Continue reading
Misery. Sorrow. Doom. Welcome to Halifax. Since 1988, UK gloomsters Paradise Lost have been dishing out the most downcast and despondent riffs known to man, and on their seventeenth studio album Ascension (Nuclear Blast Records), they prove once again there’s still plenty of despair to be mined.Continue reading
Striding through a bleak and unsettling journey through the scopes of arcane, malevolent sounds centered around Funeral Doom, Death-Doom, and Extreme Metal; In This House of Mourning releases a full-length entitled Enlèvement–(Self-Released). The album is a 34-minute journey surrounding the discourses of misanthropy and malevolence-centered aesthetics. Aside from the unfiltered, soul-baring thematic discourses, some of the quintessential elements of this album, when it comes to the musical side are the raw production and intricate exploration of a dark, atmospheric sonic worldbuilding.Continue reading
Finland’s very own Red Moon Architect has just recently released their sixth studio album via Noble Demon Records, entitled October Decay. Hailing from the south-eastern part of the country in Kouvola, Red Moon Architect initially started as a one-man project by drummer Saku Moilanen, and has gone through several lineup changes throughout the years, with their current lineup consisting of Ville Rutanen operating on harsh vocals and Anni Viljanen on clean vocals. Continue reading
Tetramorphe Impure is helmed by Damien from Mortuary Drape, but The Sunset Of Being (Aesthetic Death Records) is not Italian Black Metal, but a brand of Death-Doom leaning more into the Death Metal side of the equation, thanks to the drummer’s fetish for double bass. Continue reading