ALBUM REVIEW: Seether – The Surface Seems So Far


South African rock band Seether are back with their ninth studio album, The Surface Seems So Far via Fantasy RecordsContinue reading


ALBUM REVIEW: Nightwish – Yesterwynde


Despite the unwavering presence of founder member, composer, and keyboard player Tuomas Holopainen, the Nightwish of today is very different to the Nightwish which began in 1996. From a three-track demo to multi-million dollar selling albums featuring full orchestras and huge production values, the band has grown from three Finnish musicians to becoming a multinational enterprise.Continue reading


ALBUM REVIEW: Vafurlogi – Í vökulli áþján


The Icelandic music scene has always been an integral part of me that shaped my identity into the person I am today, ever since I was a middle schooler (which is also what got me into learning Icelandic at 12. Who on earth learns Icelandic at 12, in this economy?). The metal festival Eistnaflug and the multi-genre festival Iceland Airwaves have always been on my ongoing bucket list.Continue reading


ALBUM REVIEW: Bones UK – Soft



LA-based London natives Bones UK are releasing their sophomore studio album Soft via Sumerian Records. Nearly five years in the making and recorded across London, LA, Chicago, and Texas, Soft follows Bones UK’s debut self-titled album from 2019. Featuring contributions from Billy Corgan of The Smashing Pumpkins and Mike Shuman from Queens of the Stone Age, Soft conveys an overall heightened intensity, maturity, and vulnerability within the musicality of Bones UK.Continue reading


ALBUM REVIEW: The Funeral Portrait – Greetings From Suffocate City


Despite this being only their sophomore release, the emo rock outfit’s previous release, A Moment Of Silence was released almost a decade ago. Since then, The Funeral Portrait have been hard at work, honing their craft putting out singles here and there, all culminating with their second album, Greetings From Suffocate City. Looking to spin a tale across the album, the band are bringing theatrical charm and themes into their works. It’s clear from this that devising a story across the album has eaten most of the years since their last efforts, will this long passage of time be what the band are needing to take their music to the next level into the scene?Continue reading


ALBUM REVIEW: Stryper – When We Were Kings


Stryper is one of those bands that has won world recognition for their consistent and dauntless directive. Their resolution to overtly share their beliefs through their big and boisterous sound has made them one of the most acclaimed faith-based Metal acts out there. Their ability to share a powerful and positive message while still being aggressive has been an impressive feat throughout their career. Continue reading


ALBUM REVIEW: Trelldom – …by the shadows…


On …by the shadows… (Prophecy Productions), Norway’s Trelldom shows how Satan can find subtle ways to drag the listener into hellContinue reading


ALBUM REVIEW: Flotsam And Jetsam – I Am The Weapon


Beginning life as Paradox, Dogz, and slightly more embarrassingly, Dredlox, Flotsam and Jetsam has enjoyed/endured somewhat of a staggered career trajectory since 1984. Taking the Metal world by storm with Doomsday For The Deceiver in 1986, the Arizona thrashers delivered the equally impressive No Place For Disgrace a couple of years later, and the world, as they say, looked to be their oyster.Continue reading