Tag Archives: metalcore album reviews

ALBUM REVIEW: Northlane – Mirror’s Edge

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With time being the ever tricky and questionable beast, it is easy to still consider Aussie’s Northlane as a brand new band and not 15-year veterans with six prior studio releases under their belt… yet here we are. What is perhaps also overlooked is their nature of change across their sound with releases encompassing progressive tinged modern Metalcore to more electronic ambient sounds elsewhere; meaning, every new release may offer something different and comes with anticipation as a result.Continue reading →


ALBUM REVIEW: ERRA – Cure

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If it wasn’t for bands like ERRA, Metalcore would have lost relevance a long time ago, dragging by the coattails of As I Lay Dying and Parkway Drive nostalgia that millennials still eat up today. Fortunately, the Progressive Metalcore quintet has the drive and vision to keep the genre not only alive, but thriving. The group’s sixth album, Cure (UNFD), is a true testament to that vision.Continue reading →


ALBUM REVIEW: While She Sleeps – Self Hell

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From their formation in 2006 to continuously growing on their timeless brand of Metalcore in 2024, British band While She Sleeps have yet to run out of fuel for their fire. Now three EPs and six albums deep into their career, their new record Self Hell (Spinefarm Records) makes it clear the group is still just getting started.Continue reading →


ALBUM REVIEW: Avralize – Freaks

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They say fashion recycles motifs and trends every twenty years or so. It could be argued that’s nearly true for music styles. German quartet Avralize is pulling on the threads of late 00’s/early 2010’s style to blend it into a modern Metalcore outfit. Continue reading →


ALBUM REVIEW: Ghøstkid – Hollywood Suicide

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After abruptly leaving Electric Callboy in 2020 after ten years, Sebastian “Sushi” Biesler wasted no time forming Ghøstkid, a project leaning far more into the darker side of nu metal. Continue reading →


ALBUM REVIEW: Darkest Hour – Perpetual I Terminal

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Let’s go back to a time before Metalcore became big business, got overcrowded and then rose to prominence again. Back to before it had become a dirty word due to musical abortions like Falling in Reverse or Emmure completely shitting the bed. Continue reading →


ALBUM REVIEW: Bloom — Maybe In Another Life

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Hailing from Sydney, Australia, melodic metalcore band Bloom introduces their first album with Pure Noise Records, Maybe In Another Life. While there are undoubtedly some standout tracks on here, they are easy to overlook on first listen. Many of the songs flip flop between exactly the kind of quality melodic hardcore the scene is lacking in, and those sounding like filler tracks from a 2010s metalcore album. Continue reading →


ALBUM REVIEW: Ghost Atlas – Dust of the Human Shape

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It’s amazing the feelings that can be packed within an album. ERRA’s Jesse Cash pours himself into his personal project Ghost Atlas. Seven years have passed since the last album release and fans have been eagerly awaiting and anxious, nervous the project had been laid to rest. Finally those nerves can be quelled and doubts soothed; Ghost Atlas hit the bullseye with their second full-length album. Continue reading →


EP REVIEW: Spiritbox – The Fear Of Fear

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Spiritbox have seemingly been effortlessly surfing the a crest of a wave since their debut album Eternal Blue blew up back in 2021, and have enjoyed a whirlwind couple of years since hitting millions of streams and views on Spotify and YouTube, while playing some huge festival shows and hitting the road with the likes of Lamb of God, Killswitch Engage, Ghost and Bring Me The Horizon. Continue reading →


REVIEWS ROUND-UP: ft. Magnolia Park – Atreyu – In This Moment – Hollow Front 

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Magnolia Park – Halloween Mixtape II  (Epitaph Records)

Less is more, right? It’s a mantra I’ve often referred to in reviews, even if Yngwie would never agree. Nor, so it seems, would Magnolia Park. Seventeen tracks, nine collabs, six hundred and sixty six musical deviations taking in emo, pop-punk, nu-metal, hip-hop, cartoon horror pop and more is testament to the fact that the quintet may be on to something with their embracing of musical diversity. 

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