Great Falls- A Sense Of Rest


It is coming to the end of another year, a time with some celebration you may have heard of on the horizon and, more importantly, for end of year lists, where mostly sane people agonise and debate about ranking excellent things they enjoyed in an arbitrary list format which simultaneously means nothing and everything at the same time. It also means that albums released between now and the start of January will normally get overlooked; which, in the case of Great Falls and A Sense Of Rest (Corpse Flower Records), is a criminal injustice.Continue reading


Irk – Recipes From The Bible


I get a real kick not only out of reviewing a band from the UK, but also a band that are from the city I hold very dear. Irk are a Noise Rock trio from the bastion of Yorkshire, Leeds. It will never be the most commercial genre, but there is a lot about Irk that is worthy of note, and to show exactly what they’re all about, they have served up their self-released crowdfunded debut album, Recipes From The Bible.Continue reading


MY FAVOURITE CONCERT MEMORY EVER: Matt Deamer Of Irk


Leeds UK math-rock band Irk are releasing their new album their debut album “Recipes from the Bible” on 7th December. In a guest post for Ghost Cult, drummer Matt Deamer shared his favorite concert memory ever. Continue reading


Vein – errorzone


If you haven’t heard Boston natives, Vein, you have been missing out. The experimental Hardcore they produce sounds like something you might have heard a decade ago but they deliver it their own, current way. With only an EP under their belt, their debut full-length, errorzone (Closed Casket Activities)comes through with all the grit and metal grace you want from a Hardcore act. Continue reading


Black Peaks Sign To Rise Records, Share New Single


UK mathcore band Black Peaks have signed with Rise Records and are dropping their new album later in 2018. They recorded it with Adrian Bushby (Smashing Pumpkins, Foo Fighters). They debuted their first new song on BBC Radio 1‘s Rock Show With Daniel P Carter yesterday, ‘Can’t Sleep’. The song itself starts at around 5:30 into the show. Continue reading


Marmozets – Knowing What You Know Now


The world wasn’t ready when the Marmozets broke out with their 2014 début The Weird and Wonderful Marmozets. It was a fresh new twist to punk—well crafted, thrilling guitar riffs, energetic drum fills and majestically roaring vocals. Nearly four years since, the Yorkshire, UK quintet is back, stronger than ever with their sophomore effort, Knowing What You Know Now (Roadrunner). Continue reading


The Dillinger Escape Plan – Dissociation


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If anything, The Dillinger Escape Plan’s latest LP, Dissociation (Party Smasher Inc), serves as a comprehensive anthology of the various dynamics and styles that this New Jersey act has explored in just about 20 years of existence. This is further compounded by the recent announcement that Dissociation will be the last release before the band collectively buys the farm, so to speak.Continue reading


Chon – Grow


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In modern progressive metal there is an all too common tendency to flesh things out far too much, concentrating on writing the most overly complicated and difficult to decipher pieces possible. Many a band now chooses to write full album’s worth of long, drawn out songs, which cram so many ideas and virtuosity into without actually writing songs that you can latch on to and fully enjoy. On their full length début Grow (Sumerian Records), prog upcomers CHON show that sometimes, less really is more.

As typical for a progressive metal album, CHON pool from a huge range, and Grow has a great diversity at work, with signs of jazz and fusion, math-rock and contemporary prog metal to name just a few. But rather than thrown into overly long treks, Grow is built on short, bite size nuggets no more than the 4 minute mark. Yet despite these short durations it never feels overly cramped and proves comparatively accessible and easy to digest for bands of this ilk. A fair few hooks and catchy segments give this an inclusive and welcoming feel.  The likes of ‘Can’t Wait’ with vocals prove the easiest to latch on to.

That being said it still has an abundance of complexity and layers for ardent fans to get drawn into and discover. For the most part an instrumental album, this has significant dynamic shifts and turns throughout which will take time to fully grasp. The task of making something that appeals to both newbies to prog and the most battle hardened is a very bold and almost nonsensical task, but it was a feat that CHON have managed with aplomb.

A fantastic début album from a band that are clearly a new shining light for the genre and a suitable gateway for new fans to prog.

 

8.0/10

 

CHRIS TIPPELL