Hate Eternal – Upon Desolate Sands


Oh look, Hate Eternal has a new album on the way. Sweet, let’s see how long it takes before I run out of adjectives to describe brutal Death Metal. On Upon Desolate Sands (Season of Mist) I think I made it to ‘Portal of Myriad’ only to realize I was running on fumes. I’m not sure what kind of pact Erik Rutan struck up with Cthulu, but it’s given him access to enough pulverizing song ideas to power seven long-players and produce countless Death Metal standouts.Continue reading


Abysmal Torment – The Misanthrope


In case you were caught unawares, the “tech” in the tech death sub-genre of metal means technical. It’s an important distinction to make since death metal can be many things, not all of it deserves the lofty label. The earliest purveyors of the style might have been extreme, and well accomplished at playing their instruments, but not living up to the name. Later bands definitely upped the ante on what could be accomplished and now we are talking about an umbrella of bands that could mean Cannibal Corpse, Dying Fetus, Death, Beyond Creation, Gorguts, Neuraxis, Obscura, Cryptopsy, and many more. Hailing from the small island nation of Malta, comes Abysmal Torment, who want you to know in no uncertain terms they can carry the weight. Their new album The Misanthrope (Willowtip) is a brutal exploration of the style in every track.Continue reading


Howling Sycamore- Howling Sycamore


In contemporary terms when we think of Progressive Metal, often the first thought (and arguably nowadays the most prevalent style) is of the overtly technical, calculated and near mechanical sounding; that or the likes of Opeth with their marriage of extremity and growled vocals with progressive rock’s expansive structures and complex arrangements. Beforehand, years ago, progressive metal was arguably spearheaded by a vastly different type of beast; the likes of Queensryche with their thoughtful yet anthemic nature and armed with towering, often falsetto vocalists. Howling Sycamore certainly remembers this time well, as their self-titled début (Prosthetic) shows a love and influence from such time period as much as it marries with more modern stylings; creating a sound which in today’s progressive metal climate, actually stands out effectively.Continue reading


Cannabis Corpse – Left Hand Pass


Here’s my plea to anyone who’s ever passed on Cannabis Corpse because they thought it was a joke: listen to the fucking band. Let me sweeten the deal, Left Hand Pass (Season of Mist) is a fantastic jumping off point to this odd, yet technically ferocious outfit. The album art and song titles like ‘In Battle There Is No Pot’ are firmly tongue-in-cheek, but the strain of death metal is very much deadly serious.Continue reading


Ehnahre – The Marrow


Let’s be honest – for all its talk of “extremes”, Metal is largely a pretty conservative genre. Few bands experiment beyond the controlled combination of rigorously defined subgenres, and even those who do truly push the boundaries are normally content to do so only once. Ehnahre – formed with the stated intention of creating the most horrible and perverse music imaginable – have been a dedicated exception to this rule from the beginning, to the extent that they frequently don’t sound like a Metal band at all.Continue reading


Cognitive Dissonance III


Ghost Cult’s dive beneath the crust into the dirty, disgusting and sub-underground is back, as Richie HR returns with a round-up most fetid for your vulgar delectation…Continue reading


Sabbath Assembly – Rites Of Passage


Having slowly transformed themselves from ’60s/’70s psychedelia into a full-blown Occult Rock/Doom Metal act, as well as having undergone several changes in personnel in their eight-year existence, it makes perfect sense that Sabbath Assembly see new album Rites of Passage (Svart Records) as a reflection on the transitional stages of life.Continue reading