Black metal is to thank for bringing the mystique back to music. This duo from Portugal cloaks themselves in black shrouds, we can assume they are not playing in, but instead of blast beats Lord Sin hits you with some creepy dirges on their sophomore album Confessions (Larvae Records). The graveyard stomp of the riffs allows darkness to possess their sound organically, rather than having to pull out all the Halloween decorations to convince the listener. Halfway into the first song, it’s easy to hear where they fall in the middle ground between doom and black metal. For a duo, they are cranking out a great deal of sound and care about writing songs, rather than just bashing out riffs. Continue reading
Tag Archives: Experimental
ALBUM REVIEW: Dunn With Lords And Lady Kevin – Last Days at Hot Slit
Since 1987 Kevin Rutmanis has been involved in the production of a steady stream of records with bands such as Minneapolis Noise-Rock legends Cows, Sludge Grunge titans Melvins, supergroup Tomahawk, Hepa/Titus, and now Lord and Lady Kevin.
ALBUM REVIEW: Veilburner – The Duality of Decapitation and Wisdom
Veilburner (the mysterious, otherworldly duo of Mephisto Deleterio and Chrisom Infernium, are never shy of tying lore and mythology into their releases. Seven albums, seven tracks, and each of them seven minutes long. On The Duality of Decapitation and Wisdom (Transcending Obscurity Records) the pair pick up where they left off (both musically and conceptually) with 2022’s almost-eponymous VLBRNR. Continue reading
ALBUM REVIEW: Amerta – Nodus Tollens
As a result of years of persistence and hard work in exploring the immense depths of their own resonances, Jakarta-based post/sludge/power metal collective Amerta embarks on a new profound milestone through the release of their first full-length entitled Nodus Tollens (Self-Released). Through this release, this Indonesian multi-genre unit invites their listeners to venture on an enigmatic journey fueled by existential dread, contemplations, and the inner conflicts that mankind collectively faces against the banality of everyday chaos and mayhem in the form of an in-depth listening experience. Continue reading
ALBUM REVIEW: Bunuel – Mansuetude
mansuetude (noun) man·sue·tude ˈman(t)-swi-ˌtüd man-ˈsü-ə- -ˌtyüd :
the quality or state of being gentle : meekness, tameness
Have you ever met Eugene S. Robinson (vocalist and frontman for the thunderous Rock force that is Buñuel)? Have you indeed ever listened to Buñuel? Neither experience will likely have “meekness” being the first (or indeed within the first hundred) descriptives that come to mind. Continue reading
ALBUM REVIEW: Leila Abdul-Rauf – Calls From a Seething Edge
Leila Abdul-Rauf is a multi-instrumentalist, composer, and singer who has been part of various bands (Vastum, Hammers of Misfortune, Saros, Amber Asylum) since the 1990s. Calls From a Seething Edge (Cyclic Law Music / Syrup Moose Records) is her fifth solo album.Continue reading
ALBUM REVIEW: Fohn – Condescending
The worst that can happen by pairing two contrasting ideas is it doesn’t sound or feel pleasing or appropriate.Continue reading
ALBUM REVIEW: Malconfort – Humanism
In a world where you can never keep on top of everything being released, we can be pretty confident that there isn’t anything else in 2024 quite like Malconfort and the band’s debut, Humanism (Transcending Obscurity Records).Continue reading
ALBUM REVIEW: Xasthur – Disharmonic Variations
Dark folk is an all-around enthralling genre with a wide range of well-known names, from Vàli to Ulvesang, but recently, what especially has been catching my attention is the new release from Xasthur – namely Disharmonic Variations, out via Lupus Lounge. Specializing in Black Metal and avant-garde releases, the label has worked with various names of note, including Nachtmystium and Austere.Continue reading
CLASSIC ALBUMS REVISITED: Slipknot – “Vol. 3: (The Subliminal Verses)” Turns 20
The album that would become Slipknot’s third album, and the crucial masterpiece in their history, almost didn’t happen at all. Between the hard-fought success of Iowa (Roadrunner Records), the well-documented interpersonal relationship issues between the nine band members, rising fame and pressure, side bands like Stone Sour, To My Surprise, and Murderdolls, and “off the field issues,” you couldn’t blame this band if they imploded totally around this time. However, overcoming themselves and all of these obstacles; Slipknot’s Vol. 3 (The Subliminal Versus) (a great pun on Salman Rushdie’s controversial book, The Satanic Verses, is one of their best albums, along with their debut might be their finest hour. It is certainly their biggest hit album on a lot of levels. It yielded six singles and as we like to say on the Glacially Musical podcast (where we reviewed this album), an album has a bunch of singles if it’s selling and the band is doing well on tour. Continue reading