It’s been three years since Canadian musical contortionist Devin Townsend confused the hell out of everyone with Empath, an album of such relentless eclecticism and stupefying eccentricity that even now it remains almost beyond comprehension. A kitchen sink album in every respect, our heroic Canuck threw literally everything into the mix. From death metal and jazz to Chad Kroeger and cats, Empath was the mindfuck to end all mindfucks.
Since their inception in 2010, Polyphia have proven to be an ever-moving entity; one that is hugely (and purposefully) hard to pigeonhole, even across the duration of each album. Armed with potent musicianship across the board, the band have ever expanded their sound from their early days culminating currently to a cauldron of styles and tones across. It is likely you will hear this about many artists but it is a sentiment that reigns entirely true on Remember That You Will Die (Rise Records).
In a new feature here, we recap the biggest stories of the week here at Ghost Cult! We went to 12, because fuck it, it’s our list! This week Slipknot keeps ruling, footage from the Foo Fighters’ Taylor Hawkins tribute show in LA, an Alice in Chains classic hits 30, Metallica books one more special gig this year, Desertfest 2023’s first lineup announced, help for Karyn Crisis, interviews with KEN Mode, and Pathos & Logos, Polyphia, a King Crimson documentary is geetting a big release in theaters, and more! Continue reading
Escape Velocity (Nefarious Industries) is the debut album from Philidelphia, Pennsylvania-based instrumental duo Sarattma, and follows their debut Inner Spaces EP released in 2017. Featuring Mellowdeath and ex-Brian Jonestown Massacre drummer Sara Neidorf and Cleric guitarist Matt Hollenberg, their music is highly experimental with a distinct edge of tripped-out psychedelia, and is uniquely impressive! Continue reading
Ed Wynne is best known as the founder and only consistent member of Ozric Tentacles. An emblematic group within the nineties hippy revival scene who have continued to endure, the Ozrics fuse instrumental prog rock with psychedelic dance music. I discovered them in the early 2000s at a time when I was starting to seek out a more diverse listening experience encompassing more than just the seventies hard rock I had, by then, already grown somewhat tired of, and they served as a bridge into the multifaceted world of electronic music.Continue reading
Ibaraki is the new solo project from Trivium’s Matt Heafy, and Rashomon is released through Nuclear Blast, having been over a decade in the making. The name translates as “Wild Trees”, but is also taken from a terrifying Japanese demon of feudal legend, and the concept is a profound affirmation of Heafy’s Japanese-American heritage, incorporating a number of different musical styles. Although the main inspiration clearly sits within the black etal genre, taking influence from the experience of Emperor’s Ihsahn, who co-produced, and whose quirkier ideas from his solo work are peppered throughout the release. Continue reading
You can tell it’s not going to be a normal gig from the off, as Devin Townsend spends the first few minutes tuning and chatting away, completely at ease, as if the audience was an old friend and he was sat in his living room. As he pings and strums away, musing about whether he likes his upcoming new album Lightworks or not (he decides he does, he thinks it sounds healthy, and good… he thinks, yes definitely good), he sets the tone for a gig that is genuinely intimate – not because it takes place in a small venue, but because Devin is completely natural and wholly authentic throughout. Continue reading
Animals As Leaders started as a project by virtuoso guitarist Tosin Abasi, after his former label Prosthetic Records asked him to create a solo LP, following the end of his band Reflux. After taking a year out to study and immerse himself in his guitar playing, he put together the group who have now been releasing music for over a decade through to Parrhesia (Sumerian) their fifth album.
Thrash. Post-Thrash. Punk. Speed. Sci-Fi. Industrial. Proto-Industrial. Avant Garde. Space. Alternative. Progressive. Nuclear. Some quite frankly preposterously named musical genres and subgenres, but into all of which Canadian act Voivod has been unwillingly pigeon-holed over the years. Having firmly refused to be anchored to any one particular style, the band has actually become a little more settled of late, their current approach now reined all the way back to just including all of the above and a small handful of others.
Legendary guitarist/composer Jason Becker (solo, David Lee Roth Band, Cacaphony) will offer three of his most important and rare guitars through Guernsey’s Auctions, the prestigious New York auction house renowned for offering unique memorabilia and artifacts. These guitars are being sold as part of a fundraiser, co-organized by DragonForce guitarist Herman Li, to provide funds for Jason’s ongoing battle with ALS. Guernsey’s Auctions will offer the following in its ‘A Century of Music’ auction: