Tag Archives: Reza Mills

ALBUM REVIEW: Cheer-Accident – Admission

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Cheer-Accident has been around since 1981, which equates to the same length of time as Metallica. Unlike the Thrash Metal legends however, the Chicago outfit (named after a Hallmark shopping display) have released a fantastic amount of albums, nearly 30 at last count, as well as several compilations, EPs and seven inches, some of which have been released by the legendary Skin Graft Records (home to Squid Pisser, U.S. Maple, The Flying Luttenbachers, Dazzling Killmen and other such wonderful artists). Continue reading →


ALBUM REVIEW: Deadguy – Near-Death Travel Services

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New Jersey’s Deadguy formed in 1994 and existed for a mere three years before their 1997 split. During their original run they put out the White Meat and Work Ethic seven inches, 1996’s highly influential debut full-length Fixation on a Co-Worker, the Screamin’ with the Deadguy Quintet EP, and the posthumous I Know Your Tragedy (Live at CBGBs) set. 

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ALBUM REVIEW: Bronson Arm – Casket Schwagg 

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Kalamazoo, Michigan is home to Bronson Arm (Blake Bickel – Guitar/Vocals, Garrett Yates – Drums) who are back with a new release a mere year after last year’s self-titled debut. The oddly titled Casket Schwagg (Learning Curve Records) is described as a politically charged album by Bickel despite the band not being politically charged themselves, whether this proves potentially off-putting to some remains to be seen. Continue reading →


ALBUM REVIEW: Melvins 1983 – Thunderball

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Unlike Britain’s flagging public transport system, Melvins are regular as clockwork. In fact, such is the Los Angeles by way of San Francisco by way of Monsanto, Washington outfit’s lust for creating new music, that the fantastic amount of releases put out can be positively overwhelming and hard to keep up with. Continue reading →


EP REVIEW: Swervedriver – The World’s Fair  

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Swervedriver were formed in 1989 and lumped into the Shoegaze genre, alongside Lush, Chapterhouse, My Bloody Valentine, Slowdive, and fellow Oxfordians Ride. The band’s catalogue is extensive and consists of six full-length albums and eight EP’s of which The World’s Fair is the latest; the latter following up from last year’s outtakes/ demos collection Doremi Faso Latido (aka CD3 of the band’s reissued-classic-99th-Dream). The band’s somewhat sizeable catalogue is impressive even taking into account the fact that they had disbanded for a period of eight years, 1999 – 2007 with frontman Adam Franklin going on to forge an equally productive solo career under his own name as well as part of the bands Toshack Highway, Magnetic Morning and the Sophia collective. Continue reading →


ALBUM REVIEW: Ocre – So Often Lifeblood Comes From Ashes

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Duo’s appear to have a winning formula, as is exemplified by Petbrick, Big Business, Organized Konfusion, and Tears For Fears which the promotional notes for this release recognizes, describing Ocre as combining power and elegance. 

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ALBUM REVIEW: Dunn With Lords And Lady Kevin – Last Days at Hot Slit

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Since 1987 Kevin Rutmanis has been involved in the production of a steady stream of records with bands such as Minneapolis Noise-Rock legends Cows, Sludge Grunge titans Melvins, supergroup Tomahawk, Hepa/Titus, and now Lord and Lady Kevin. 

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ALBUM REVIEW: Coilguns – Odd Love

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If one’s perception of Switzerland involves cliches such as neutrality, cuckoo clocks and chocolate then think again. This is a country with a truly exceptional musical pedigree, for which a cursory glance reveals the likes of The Young Gods, Celtic Frost and of course late, great musician/producer Roli Mosimann. Continue reading →


ALBUM REVIEW: Common Wounds – All Night Blood

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Formed in 2018 under the Dead History moniker, Phoenix, Arizona’s Common Wounds’ respective members are drawn from the likes of Run With the Hunted, Landmine Marathon, Suicide Nation, Seas Will Rise, and War Tongue while All Night Blood their first full-length release follows on from last year’s S/T debut EP. Continue reading →


ALBUM REVIEW: The Jesus Lizard – Rack

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Twenty-five years since their dissolution and Noise-Rockers The Jesus Lizard are back, with the classic line-up of Mac McNeilly – Drums, David Wm Sims – Bass, Duane Denison – Guitar, and David Yow – Vocals now fully restored. A quick history lesson for the uninitiated, the band formed in Austin, Texas in 1987 from the ashes of Scratch Acid, before relocating to Chicago in 1989. From there they would go onto put out a string of groundbreaking releases including a split single with some band called Nirvana, who you may have heard of. Continue reading →