Tag Archives: post-punk

INTERVIEW: From Goth Legends to a New Album: Lol Tolhurst and Budgie Share Their Journey

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Ghost Cult caught up with  Lol Tolhurst (founding drummer of The Cure ) & Budgie (ex  Siouxsie And The Banshees, The Slits) legends of Goth and alternative Rock last fall for a chat. Lol released his book “GOTH: A History,” via Hachette Books last fall and it is a personal and deep account Goth music and the greater culture. Budgie wrote the forward of the book and both gents shared their knowledge about the scene and history! They also released a collab album last last year as Lol Tolhurst x Budgie x Jacknife Lee debut album “Los Angeles,” which we also discussed as well.

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ALBUM REVIEW: MTVoid (Tool) – Matter’s Knot, Pt.1

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Tool’s bassist Justin Chancellor and Polish Alt-Metal outfit Sweet Noise’s frontman Peter Mohamed first met at a European music festival. A shared desire to collaborate in some way or another finally came to fruition in 2013 with MTVoid’s first album, Nothing’s Matter. Now ten years on the pair release their follow up, Matter’s Knot, Pt.1 (Lobal Orning).   

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EP REVIEW: Dreamwheel – Redeemer

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The Redeemer EP (Nefarious Industries) is the debut release from Dreamwheel, a duo consisting of Evan Linger (guitar, bass, piano, synth — also of Skeletonwitch and Cultist) and Julia Gaeta (vocals — also of Madrigal and Light of the Morning Star; formerly of Albez Duz and Restless Ghosts). On this album, the core members are also aided by James Stewart (drums) and Tom Zwanger (percussion and sounds).

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ALBUM REVIEW: The Iron Roses – The Iron Roses 

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Anyone who has ever screamed along to every word of Boysetsfire‘s biggest anthem “Rookie” knows Nathan Gray can deliver messaging, intensity and hooks in equal parts, but only until recently they weren’t living their full truth showing all the facets of themself to the public. After backing Nathan on a sort of solo-band journey of self-discovery, newer project The Iron Roses have found their full potential as well under their own name and elevating everyone (all six!) to equal prominence on one of the most jubilant, socially potent and catchy punk records you’ll ever hear. 

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ALBUM REVIEW: Darkplace – About the End of the World 

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There are a few artists in history whose identity is shrouded in secrecy – The Residents, Buckethead, the majority of Goat and Darkplace. In an age where social media is so prevalent and where privacy is seemingly such a dirty word, it’s refreshing that Darkplace has chosen to keep himself/herself(?) anonymous so as to let the music do the talking. Based in Sweden About the End of the World (Icons Creating Evil Art) marks the mysterious entity’s debut full-length.

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ALBUM REVIEW: Crosses – Goodnight, God Bless, I Love U, Delete 

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Chino Moreno has never been shy at exploring his mellower side away from Deftones, and over the years has dipped into the Post-Rock, Shoegaze and Trip-Hop genres providing us with some highly refined music by way of projects such as Team Sleep and Palms, his collaboration with three former members of Post-Metal kings Isis. Continue reading →


ALBUM REVIEW: False Fed – Let Them Eat Fake 

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To say that a line-up which features Discharge vocalist Jeff (JJ) Janiak, guitarist Stig Miller (Amebix), drummer Roy Mayorga (Nausea/Amebix) and bassist JP Parsons is an enticing prospect would be an understatement. This type of musical pedigree promises us that something special looms on the horizon in the form of Let Them Eat Fake (Neurot Recordings).

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ALBUM REVIEW: Fearing – Destroyer

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Do you like to dress in black? Do you prefer a solitary pint of cider in the back of a smoky bar? (the smoky part might be hard to fashion in this day and age) Do you favour wearing a trenchcoat? Do you feel in a state of perpetual ennui? Maybe you are a Berliner! Or perhaps you’re a member of a Darkwave band… maybe both! 

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ALBUM REVIEW: KEN Mode – VOID

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With spoken word poetry recitations comparable to Allen Ginsberg’s Howl and strong emphasis on immense existential dread, KEN Mode returns with their newest studio album VOID, released via Artoffact Records, the band’s ninth studio album.

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ALBUM REVIEW: Blodet – Death Mother

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Death Mother (Church Road Records) is the debut full-length from Sweden’s Blodet, and it arrives after the tragic death of their guitarist Rickie Paleski-Östland, who contributed to the writing of the album. In spite of the inevitably difficult process of getting the record finished, it is nevertheless described as “cathartic”, “mesmerising”, and “alluring” by the press release which also draws comparisons to Chelsea Wolfe, Cult of Luna, and Sonic Youth.

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