CONCERT REVIEW: Cradle of Filth – DevilDriver – Black Satellite – Oni Live at The Observatory


 

As I approached The Observatory in Santa Ana, California, people were still hanging in the parking lot, talking about bands and shows. But one group that caught my attention, was a group of people putting on corpse paint on their faces. Such admiration for them to be able to get dressed up for shows.

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Rhys Fulber on a Front Line Assembly Classic Album, Remixing Fear Factory, and Work-Life Balance


 

Ghost Cult caught up with Producer and Industrial Metal legend Rhys Fulber to discuss the Wax Trax! Records 30th-Anniversary reissue of Front Line Assembly’s groundbreaking studio LP Tactical Neural Implant. Discussing the album and remix, Fulber shared a lot of insights into the album and his career. Rhys also went deep on details about his producing career, working with Dino Cazares of Fear Factory, and more!

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EP REVIEW: .GIFFROMGOD – Digital Red


Signed to Los Angeles-based Prosthetic Records (Yatra, ACxDC, Pupil Slicer, Vile Creature) Richmond, Virginia six-piece .GIFFROMGOD bring you their latest release, an EP by the name of Digital Red. It sees the band’s first recorded output since 2019’s full-length debut Approximation of a Human.

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ALBUM REVIEW: Elyose – Déviante


 

It has been five years since the last full length from French Industrialists Elyose, a period of time that has seen significant change for them. Following on from their previous full-length Reconnexion, much of the band departed leaving vocalist Justine Daaé to keep moving forward. Now returned as either a band or essentially a solo venture (guitarist/producer Anthony Chogard is certainly in the ranks but it certainly seems like Daaé is the centre piece), the first full length of this incarnation Déviante (self) isn’t quite the statement of intent could have been hoped for.

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ALBUM REVIEW: Turmion Katilot – Omen X


 

When I was young and brash and had two working knees, I used to visit the high street in Camden, London. Me and my mates would dance ourselves into oblivion at the Electric Ballroom, take the night bus home, hit a Tescos for sausage rolls, and eat them right out the package – cold, before returning to Surrey Quays just before the sun rose.

Those were the times!

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Ghost Cult’s Albums of the Year 2022 Part 3 (20 – 1)


Press on, intrepid reader, to find out our top albums of 2022, as voted for by the cast, crew and hangers-on of the good ship Ghost Cult. Over 275 albums were nominated (including one stray and errant vote for Stryper… we’ve had words), some people lauded albums as the greatest of all time that no one else noticed, other albums picked up a steady stream of votes across the board without tickling the top of anyone’s charts, but through it all, we’ve been able to compile our team list of the best 75 albums of the year. And there are some absolute corkers, here. 75 of them, to be exact…

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Ghost Cult’s Album of the Year 2022 Part 2 (40-21)


As we move into the meaty part of the Ghost Cult albums of the year for 2022 (as chosen solely by the team that dedicate their time to promote, analyse and share the love for the great alternative music that we exist to talk about), we find a mix of old favourites and a sprinkling of new rising and shining stars…Continue reading


Ghost Cult’s Albums of the Year 2022: Part 1 (75 – 41)


 

After a false start, someone (naming no names) got rather over-excited about a new Power Metal band that promptly disappeared out of the collective consciousness, it wasn’t until mid-January, and a new 40 Watt Sun album, that alternative, rock and metal really got out of the starting blocks for 2022.Continue reading


ALBUM REVIEW: Architects – the classic symptoms of a broken spirit


 

Architects have been a busy band indeed these last couple of years, and it was initially somewhat of a surprise when they announced the release of their tenth studio album so soon after 2021’s game-changing career-shift in style on For Those That Wish To Exist, and the records accompanying Abbey Road Live recording that was released earlier this year.

But with For Those That Wish To Exist providing the Brighton based band their first UK number one release, and a diminished touring cycle providing the increased opportunity for writing new material and hitting the studio, it actually makes sense that Architects are looking to capitalise and continue their momentum on the upward trajectory into the arena rock band they are becoming.

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ALBUM REVIEW: Wednesday 13 – Horrifier


 

October celebrates the return of cooler weather, overpriced pumpkin-flavored beverages, and everything spooky. This October is extra special as the Duke of Spook, Wednesday 13 returns to the land of the living with a brand new album, Horrifier (Napalm Records), just in time to set the mood for Halloween.

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