Had I been told four or five years ago that the spirit of psyche-exploring, experimental Electro/Industrial duo Coil would be alive and flourishing in the hands of Napalm Death’s bass player, I would have been … surprised. Continue reading
Tag Archives: Industrial Metal
PODCAST: Episode 603 – Gabriel Palacio of AntiMozdeBeast on His New Album “Vision”
In this new episode, Ghost Cult Keefy has a raw and uncut conversation with our good friend, Industrial Metal artist Gabriel Palacio of AntiMozdeBeast! His new album Vision is out now via Sliptrick Records! Gabe and Keefy discussed the new album in depth, new and old influences making their way into Vision’s core, and so much more! He is one of our favorite artists so check out the album at the links here! Continue reading
CONCERT REVIEW: KMFDM – Morlocks – Live at Irving Plaza
Forty years ago, Sascha Konietzko started a little band as a performance art project, KMFDM. During the following years, there have been a few lineup changes, albums released every year or so, regular tours and growing popularity. The band is one of the original Industrial bands, and to celebrate the milestone, they did what they do best: release a new album, tour, and perform. This time the tour took them to Irving Plaza in New York City and Ghost Cult was there to join in the fun. Continue reading
ALBUM REVIEW: Dead Posey – Are You In A Cult
With Halloween upon us, and Instagram beginning to fill with girls sporting a Vampira look for their selfies, it begs the question what is Goth? The answer might not be revealed in Dead Posey’s new album Are You In a Cult (Self-Released), but this duo is banging out some fun-filled arena rock that has more in common with The Pretty Reckless than it does Siouxsie and the Banshees. The album is full of catchy choruses and frontwoman Danyell Souza sings about creepy things, but it packs the kind of punch that would be more at home at the Welcome to Rockville fest than, opening for The Cure. Continue reading
ALBUM REVIEW: Chat Pile – Cool World
Cool World (The Flenser) might not be the album that is going to make Chat Pile a household name, but is does exceed the expectations set by 2022’s God’s Country. This album exudes anger. It’s become a cliche for bands to say their new album is going to be their heaviest yet, Chat Pile let the music do the talking in this regard. Continue reading
ALBUM REVIEW: God is War – Boogeyman Inc.
God is War, formed in 2018, is the solo project of Mack Chami. Boogeyman Inc. (Profound Lore) is his latest offering, featuring seven tracks of glitching, abrasive, instrumental industrial noise music.Continue reading
CONCERT REVIEW: Rob Zombie – Alice Cooper – Ministry – Filter Live at PNC Bank Arts Center
How many bands must play together before it is considered a music festival? If the answer is four or more, a festival has been touring the USA and recently landed in Holmdel, NJ at the PNC Bank Arts Center. The Freaks On Parade tour is one of the strongest bills around with Filter, Ministry, Alice Cooper, and Rob Zombie providing an evening of unparalleled energy. Continue reading
VIDEO: Bryan Black of Black Asteroid Discusses His “Infinite Darkness” – Electronic Music, and More
In this episode, Bryan Black a.k.a. Black Asteroid chatted with Keefy about his new album “Infinite Darkness” out now via Artoffact Records label! We went deep with him on his entire career, his work with Prince, and many others, leading him to this new release. We delved into his creative process, different approaches to recording and performing, writing for guest collaborators such as Ian Astbury of The Cult, and much more!Continue reading
EP REVIEW: Graywave – Dancing In The Dust
Starting out as a solo project for singer and multi-instrumentalist Jess Webberley, Graywave have released two previous EPs – Planetary Shift in 2021, followed swiftly by their first for Church Road Records, Rebirth in 2022. Continue reading
ALBUM REVIEW: Thot – Delta
With a previous formidable track record consisting of three full-length concept albums, four experimental EPs, and a myriad of remixes and rearrangements to note, Belgian Industrial/Post-Rock unit Thot are resurfacing into the ever-dynamic civilization with their fourth studio album, Delta (Pelagic Records), which is a powerful amalgamation of everything all at once: people, places, spaces, and times that have shaped the band’s identity and helped form the integral parts of the band’s trajectory of life throughout the years. It envisages many forms of hope and perseverance against all odds – with all its atmospheric complexities and all-around-resonant distortions. Continue reading