ALBUM REVIEW: Ulcerate – Cutting the Throat of God


On Cutting the Throat of God (Debemur Morti Productions) Auckland, New Zealand’s Death Metal three-piece Ulcerate continue to refine their musical representation of an exploding volcano raining down molten rock and laying waste to all below. 

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ALBUM REVIEW: Vertebra Atlantis – A Dialogue With The Eeriest Sublime 


 

There’s a solitary figure on a frozen plane, playing a strange melody, while a howling storm beats a furious march against his back. He’s probably being chased by goblins as well. That’s one way to describe A Dialogue With The Eeriest Sublime (I, Voidhanger Records) the second album by Italian (kind of one man) band Vertebra Atlantis. Another way would be as intricate, powerful, creative and atmospheric death / black metal. Evocative, lyrical, mysterious, magical. 

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ALBUM REVIEW: DeathCollector – Death’s Toll


 

Something that begins as a bit of fun can often turn into something bigger and this is certainly the case for UK death metal act DeathCollector. Getting together in 2021 as a way to pass the time while things got rolling again post-Covid, it didn’t take long for fun cover versions to turn into writing original material, the four-piece independently releasing the excellent Time’s Up EP last year.

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REVIEWS ROUND-UP: Through The Cracks Of Death; Cosmic Putrefaction – Morgue Supplier – Tzompantli – Mutilatred – Encenathrakh


Richard Benton will be satisfied with nothing less than carnage unrelenting, the sun black, the land drowned beneath oceans of blood.  Let the gates open wide and the horrors of the abyss engulf the earth, as new death metal albums were released in May.

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ALBUM REVIEW: Ibaraki – Rashomon


Ibaraki is the new solo project from Trivium’s Matt Heafy, and Rashomon is released through Nuclear Blast, having been over a decade in the making. The name translates as “Wild Trees”, but is also taken from a terrifying Japanese demon of feudal legend, and the concept is a profound affirmation of Heafy’s Japanese-American heritage, incorporating a number of different musical styles. Although the main inspiration clearly sits within the black etal genre, taking influence from the experience of Emperor’s Ihsahn, who co-produced, and whose quirkier ideas from his solo work are peppered throughout the release. Continue reading


ALBUM REVIEW: Abhorrent Expanse – Gateways to Resplendence


The concept Abhorrent Expanse debut release Gateways to Resplendence (Amalgam / Lurker Bias) is indeed a fascinating one. All the tracks have been improvised, and the whole thing was performed as a continuous take. Nothing specific was discussed beforehand except for the pairings of who would play each section and how long they would last, it all being tracked by a stopwatch. The result of such a challenge is interesting if a polarized hit-and-miss affair. Continue reading


ALBUM REVIEW: Grand Harvest – Consummatum Est


Consummatum Est (Messor Grandis Productions) by Grand Harvest, a band once described as ‘Sweden’s most underrated metal band’ debuting a mix of melodic death and doom, with some touches of black metal I was quite interested to hear this. Continue reading


ALBUM REVIEW: Mortem – Slow Death


Oh, what a surprise it was to get to do a piece on the re-release of Norwegian black metal legends Mortem’s Slow Death! A huge thank you to Peaceville for deciding to throw this one back out there in a two-disc set containing the original recordings along with some of the demos. Included in the release is the original 1989 booklet with an extended band history and some awesome rare images. I am actually finding it kind of hard to pick a place to begin! 

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