Tag Archives: Avant-Garde

ALBUM REVIEW: Cheer-Accident – Admission

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Cheer-Accident has been around since 1981, which equates to the same length of time as Metallica. Unlike the Thrash Metal legends however, the Chicago outfit (named after a Hallmark shopping display) have released a fantastic amount of albums, nearly 30 at last count, as well as several compilations, EPs and seven inches, some of which have been released by the legendary Skin Graft Records (home to Squid Pisser, U.S. Maple, The Flying Luttenbachers, Dazzling Killmen and other such wonderful artists). Continue reading →


ALBUM REVIEW: Puppe Magnetik – Laudans Deum

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Puppe Magnetik has existed since 2022 as the brainchild of Finnish musician Aina Virtanen. Laudans Deum (Rune Serpent Europa) is the project’s debut record, and it promises to blend elements of Neofolk, Dark Ambient, Death-Industrial, and Avant-Garde music.Continue reading →


CONCERT REVIEW: Ulcerate – Autarkh Live at Poppodium 013

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Opening today are Tilburg locals Autarkh, whom I first discovered playing the 2021 Roadburn Redux show. Eclectic and heavy, the band mix electronics with metal elements, so much that Encyclopedia Metalum (a.k.a Metal Archives) doesn’t even consider them metal enough. Tonight, though, the band have a live drummer with them, who plays the angular beats with relish. Frontman and guitarist Michel Nienhuis (formerly Dodecahedron) is clearly very much in the groove. A groove expertly set by their temping bassist, who learned the complex material in only a week. It’s very hard to stick a genre on what Autarkh make, but I’d call them Avant-Garde Math Metal.Continue reading →


ALBUM REVIEW: Swans – Birthing

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When doing reviews here at Ghost Cult, we try to keep things subjective, rather than injecting how we feel about an artist. Sometimes, when an artist becomes entrenched in your identity to the point where your friends hear said artist, it makes them think of you. This goes past the point of subjectivity and becomes more personal.  

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David Lynn Thomas, Lead Singer and Co-Founder of Pere Ubu and Rocket From The Tombs, Has Died

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David Lynn Thomas, lead singer of Pere Ubu, Rocket From The Tombs, solo artist, and actor, has died after a long illness. He was 72 years old. A highly influential artist and personality in American music, Thomas formed the proto-Punk and pre-Alternative band Rocket From The Tombs (other members went on Dead Boys and The Saucers) and later formed Pere Ubu in 1975. Making an immediate impact, but highly volatile, Pere Ubu which first broke up in 1979, but reformed and recorded and toured for four more decades. Spanning genres from Art punk, post-Punk, avant-garde, musique concrète, New Wave, proto-punk, industrial rock, and alt-Rock, experimental, the band played their brand of music self-described as “avant-gaage”, and Thomas personally disliked Pere Ubu being lumped in with punk-rock as a rule. A great lyricst, vocalist, and frontman, he will be missed. RIP.   Continue reading →


ALBUM REVIEW: Jarboe – Disburden Disciple (25th Anniversary) 

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This year marks the 25th anniversary of Disburden Disciple (The Circle Music)—the first truly “post-Swans” solo record from the ever-magikal (and prolific!) singer, musician and songwriter Jarboe (remastered and available on vinyl for the first time). 

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PODCAST: Tom Osman Interviews Zachary Ezrin of Imperial Triumphant Discussing Their “Goldstar” Album

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In this new episode, Ghost Cult’s own Tom Osman chats with Zachary Ezrin of Imperial Triumphant! Their highly-anticipated new album Goldstar is releasing via Century Media on March 21st, 2025! Zachary discusses the new album, the evolving sound and songcraft of the band, why they opted for shorter songs on this album, working with Dave Lombardo, and Tomas Haake of Meshuggah, Fritz Lang and “Metropolis” influence on the artwork the band favors, and much more!Continue reading →


ALBUM REVIEW: Bergthron – Neu Asen Land

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Despite coming from Germany, the 30-year-strong Atmospheric Black Metal unit Bergthron tend to incorporate strong Norse-themed concepts and influences into their songs. Playing mostly Black Metal with a touch of progressive undertones —that would remind their listeners of Sólstafir and the likes–, they are best known for writing songs that pay homage towards the North and its pulchritude, and the ancient times; references of Norse myths included. This fact somehow also bears relevance with how the concepts of their sounds –both lyrically and sonically– are strongly associated with the cold and winter. Continue reading →


PODCAST: Episode 594 – The Power Hour – October Recap and Album of The Month with Keefy 

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The gloom of fall is here, but at least we have great music! The Power Hour is back with just Chief Editor Ghost Cult Keefy! We look back at albums released in October 2024, and a forecast of new music out this month.  Continue reading →


ALBUM REVIEW: Bunuel – Mansuetude

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mansuetude (noun) man·​sue·​tude ˈman(t)-swi-ˌtüd  man-ˈsü-ə-  -ˌtyüd : 

the quality or state of being gentle : meekness, tameness

Have you ever met Eugene S. Robinson (vocalist and frontman for the thunderous Rock force that is Buñuel)? Have you indeed ever listened to Buñuel? Neither experience will likely have “meekness” being the first (or indeed within the first hundred) descriptives that come to mind. Continue reading →