ALBUM REVIEW: Amarok – Resilience


Funeral Doom is one of the more difficult subgenres of heavy music to get into. Hell, I am not even sure if I can say I am a fan of the subgenre, moreso some bands or even some albums by said bands. 

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ALBUM REVIEW: Vulvodynia – Entabeni


 

Don’t call it a comeback.

After dispatching a certain troublesome vocalist, South African Deathcore titans Vulvodynia did the only thing they know how: returned with Entabeni (Unique Leader Records), a rapturous, bites-your-head-off full-length that only furthers the outfit’s comfortable position atop the genre.Continue reading


ALBUM REVIEW: Sunbomb – Light Up The Sky


Continuing the groundwork laid down by their 2021 debut, Evil and Divine, L.A. Guns ead guitarist Tracii Guns (a.k.a. Tracy Richard Irving Ulrich) and Stryper (and former Boston) frontman Michael Sweet return with Sunbomb for second album Light up the Sky (Frontiers Music Srl). Continue reading


EP REVIEW: Non Serviam – Labyrinthe


On Labyrinthe, (Self-Released) prolific, anonymous, French genre-defying duo Non Serviam lean into their Goth-Noise tendencies with a lo-fi collection of ghostly, ghastly gloom and dread.    

Originating as a solo project ten years (or more) ago, it was once they became a duo (and released debut full-length Le Cœur Bat) in 2021 that Non Serviam really got going. Continue reading


ALBUM REVIEW: 200 Stab Wounds – Manual Manic Procedures


 

Despite signing with a big-name label, it’s extremely refreshing to find out that hardcore-influenced death metallers 200 Stab Wounds have retained everything that makes their sound great: pounding, catchy riffs; a rancid atmosphere; and thrashy guitar fills when necessary.Continue reading


EP REVIEW: Slugcrust – Discharge(d)


Slugcrust embody everything – and I mean everything – that makes grindcore the most intense, most unique and most captivating subgenre in the entire scene. Having released a pair of EPs and the hellacious slab that was Ecocide (number 10 on my album of the year list) in 2022, the South Carolina-based maniacs have blessed us all with another EP.Continue reading


ALBUM REVIEW: Bangladeafy – Vulture – Nefarious Industries


Eschewing entirely the notions of guitars and bass, two-piece Industrial / Electronica / call-it-what-you’d-like outfit Bangladeafy take a less-is-more approach for sixth full-length, Vulture (Nefarious Industries), with a (pleasingly) heavy emphasis on blending songs into the next, cementing that this record should be listened to the old-school way.Continue reading


ALBUM REVIEW: Construct of Lethe – A Kindness Dealt In Venom


Virginia’s very own Construct Of Lethe has released three full-length albums to this day, with A Kindness Dealt In Venom being the most recent, out via Transcending Obscurity Records. The Death Metal unit seems to be fond of incorporating the lyrical themes of chaotic psychological terror into their songs, but on this album they managed to encompass an even more wider range of emotions, from suicidal depression, self-hatred and existential void. Continue reading


ALBUM REVIEW: The Ghost Next Door – Classic Songs Of Death And Dismemberment


Like many sub-genres, Progressive Rock has seen a stylistic ebb and flow, with a few strong bands rising to set the tone that inspired those who followed in their wake. 

As Metal veterans, The Ghost Next Door takes you back to prog’s high water mark in the mid-nineties when bands like Tool and Faith No More rose to prominence and broke boundaries. On Classic Songs of Death And Dismemberment (Ripple Records), they create a moody blend of post-grunge-tinged Rock that puts the lyrics front and center. At the heart of the songs are social observations and commentaries on the state of the world. Continue reading