Tag Archives: Sisters of Mercy

Sick New World 2025 is Canceled Citing “Unforeseen Circumstances” – Was to Have Hosted Metallica, Linkin Park, QOTSA, Evanescence, AFI, Ministry, Gojira, and More

Posted on by

After speculation by fans and industry pundits went wild for weeks, Sick New World 2025 has revealed they have canceled the planned event. hat event was scheduled to take place at the Las Vegas Festival Grounds in Las Vegas, NV on April 12th, 2025. Citing “Unforeseen Circumstances” the fest canceled in a post to their website and all social media. Fans have been promised full refunds within 30 days. This is the largest US festival cancelation since Blue Ridge Rock Festival went out of business and closed up shop just a few months after being announced. The lineup was to have featured a plethora of heavy hitters and legends featuring Metallica, Linkin Park, QOTSA, Evanescence, AFI, Ministry, Gojira, Acid Bath, The Flaming Lips, DOWN, Melvins, Testament, Meshuggah, Cannibal Corpse, Machine Head, Sisters of Mercy, Three Days Grace, Tomahawk, Cradle of Filth, Refused, Filter, Kittie, Terror, Mayhem, X, Poison the Well, The Hives, Carcass, Underoath, Daron Malakian’s Scars On Broadway, Sponge, Quicksand, Exodus, Stabbing Westward, Orgy, Lacuna Coil, The Birthday Massacre, Seven Hours After Violet, Dethklok, Dope, Scowl, Show Me The Body, Napalm Death, Dope, Arch Enemy, Twin Tribes, and more! The message from the fest also asked fans to stay tuned for future information regarding the fest. Continue reading →


ALBUM REVIEW: Tribulation – Sub Rosa In Æternum

Posted on by

The direction Tribulation heads on Sub Rosa In Æternum (Century Media Records) has been a long time coming. You can’t call a band goth without them eventually turning to the dark side. The Swedes started as a Death Metal band that flirted with the shadowy atmosphere, but never bore the Sisters of Mercy Halloween trappings they were credited with. Until this album. The sung vocals that open the first song solidify this; this may be the final step over this threshold for them. Johannes Andersson has sung on their previous albums in smaller doses, but this album finds him committed to it. Continue reading →


Sick New World 2025 Books Metallica, Linkin Park, QOTSA, Evanescence, AFI, Ministry, Gojira, Acid Bath, The Flaming Lips, Down, Melvins, Testament, Meshuggah, Cannibal Corpse, Machine Head, and More

Posted on by

Sick New World 2025 has revealed their huger lineup featuring Metallica, and now Linkin Park, QOTSA, Evanessence, AFI, Ministry, Gojira, Acid Bath, The Flaming Lips, DOWN, Melvins, Testament, Meshuggah, Cannibal Corpse, Machine Head, Sisters of Mercy, Three Days Grace, Tomahawk, Cradle of Filth, Refused, Filter, Kittie, Terror, Mayhem, X, Poison the Well, The Hives, Carcass, Underoath, Daron Malakian’s Scars On Broadway, Sponge, Quicksand, Exodus, Stabbing Westward, Orgy, Lacuna Coil, The Birthday Massacre, Seven Hours After Violet, Dethklok, Dope, Scowl, Show Me The Body, Napalm Death, Dope, Arch Enemy, Twin Tribes, and more!  The presale starts Friday 10/18 at 10am PT. You are signed up and will receive the presale code that morning. Tickets start as low as 19.99 down. Continue reading →


ALBUM REVIEW: Fourth Dominion – Diana’s Day

Posted on by

Fourth Dominion hails from Rochester, New York already steeped in a rich musical heritage, cue No-Wave legend Lydia Lunch, Swing era Jazz musician Cab Calloway, Garage-Rock revivalists The Chesterfield Kings, and of particular interest to Ghost Cult regulars, Grind gods Brutal Truth. Fourth Dominion therefore appear to be in esteemed company. 

Continue reading →


ALBUM REVIEW: Paradise Lost – Icon 30

Posted on by

 

Named after the epic 17th-century biblical poem by John Milton, Paradise Lost are without a doubt one of the real success stories of British Heavy Metal. Continue reading →


ALBUM REVIEW: Liv Kristine – River Of Diamonds

Posted on by

 

Gothic rock Norwegian heroine Liv Kristine is integrity personified when it comes to representing her chosen genres, the ideal ambassador of grace, fun, shimmery, and shadowy melodic reflection. River Of Diamonds (Metalville Records ) is one of her most digestible yet nonetheless compelling efforts yet, the closest comparison is a merging of a lighter variant of the love rock of H.I.M. with the captivating gothic roots she is known for. 

Continue reading →


Heavy Group Presents Heavy Music Awards 2023 Announces Milestone Show Hosted at London’s Iconic OVO Arena Wembley

Posted on by

 

 

Heavy Group announces the return of the Heavy Music Awards (HMA) and the arrival of its spectacular new home for 2023, the OVO Arena Wembley on Friday 26 May. Since its inception in 2017, the HMAs has recognised the most influential and groundbreaking creatives in the heavy music landscape and certified itself as a staple of the heavy music awards calendar, with a move to OVO Arena Wembley now cementing the event as the largest rock music awards ceremony ever.

Continue reading →


ALBUM REVIEW: My Sleeping Karma – Atma

Posted on by

 

My Sleeping Karma proffers a heady instrumental in Atma (Napalm Records). The six tracks on Atma are ripe for playing over and over and over again and, at times, are mesmerizing to the point of feeling insensate. As this is a fully instrumental album, it’s up to the listener to provide sense and meaning to the aural sensations. Continue reading →


ALBUM REVIEW: Ministry – Moral Hygiene

Posted on by

It’s hard to believe that industrial legends Ministry have been around (in one incarnation or another) for forty years but here they are in 2021, returning with their fifteenth full length studio album. Another title including amusing wordplay, Moral Hygiene (Nuclear Blast Records) is yet another solid release by Al Jourgensen and co. and features a few surprises along the way.

Continue reading →


ALBUM REVIEW: Lamb Of God – Lamb Of God

Posted on by

Every now and again, a record captures the mood of an era with such frightening accuracy that even though it might not be the greatest thing you’ve ever heard, it resonates so profoundly that you have no alternative but to sit up and take notice. Not since the ’80s, when the burgeoning thrash scene was fuelled by a world living in fear of murky politics and the threat of nuclear war, has the timing been so perfect for such a scathing indictment of present times. Continue reading →