Named after the epic 17th-century biblical poem by John Milton, Paradise Lost are without a doubt one of the real success stories of British Heavy Metal. Continue reading
Named after the epic 17th-century biblical poem by John Milton, Paradise Lost are without a doubt one of the real success stories of British Heavy Metal. Continue reading
Sharing their name with the 1999 album by their “main band” gothic metal veterans Paradise Lost, Host is a goth rock project of vocalist Nick Holmes and guitarist Greg Mackintosh that allows the duo to delve deeply into their shared love of dark, eighties new wave sounds. All through the duo’s debut album IX (Nuclear Blast) — listeners will hear just as many (if not more) allusions to dark synth bands of the time like Depeche Mode, as they will to the group that Holmes and Mackintosh made their names with. The result is a very well-made and fairly consistent album that isn’t breaking any boundaries.
In the time since its 2005 inception Damnation Festival has grown to into a four-stage affair that has become a mainstay of the UK metal scene. 2021’s festival on 6th November was significant for a number of reasons. Firstly, it marked the event’s return after a year off due to COVID restrictions. Secondly, it sold out in record time; as soon as the UK government announced the end of all restrictions (back in March), all tickets were swept up within a matter of weeks. Thirdly, the lineup had to be dramatically changed, with many major international acts such as Wolves in the Throne Room and Pig Destroyer having to have their appearances cancelled due to then-ongoing uncertainty surrounding travel restrictions. Fourthly and finally, 2021’s Damnation marked the end of its 14-year tenure at Leeds University: 2022’s festival will return to Manchester (where it first took place for two years) at a larger arena venue.
1914 may have their Blackened Death/Doom formula honed to a science, but it’s still interesting to note how their methods get affected as their platform gradually expands. Their third album, Where Fear And Weapons Meet (Napalm Records), certainly sees some effects of this as their highest profile release so far. The production job is their most polished to date and the riffs have a more noticeably grandiose edge to them than usual. They even got Nick Holmes to perform guest vocals on the appropriately Paradise Lost-esque brooding of ‘…And A Cross Now Marks His Place.’
Many consider the British band, Paradise Lost to be the fathers of the Gothic Metal genre. Formed in 1988, four out of the five members have been there since the beginning. This tight-knit group of guys is a prime example of a hard-working band who knows how to stay creative and original. The exploration and determination of this act has led them down some unique roads over the years. After experimenting on albums like One Second (Music for Nations) and Believe In Nothing (EMI), Paradise Lost got back to their roots in 2015. They embraced their Death Metal background with the release of The Plague Within (Century Media Records) and 2017’s Medusa (Nuclear Blast). Now with the release of their sixteenth record, Obsidian (Nuclear Blast), their heaviness is being fleshed out with even more distinct devastation. Continue reading
Ghost Cult had the honor of chatting with Nick Holmes (Bloodbath) of Paradise Lost about their new album, Obsidian (Nuclear Blast Records), due out on May 15th, 2020. Nick shares his thoughts on releasing an album during the pandemic, the creative process of the band, the more sweeping vision behind Obsidian, how the band approached the follow-up to Medusa 2017, how he and Gregor Mackintosh work together on new material, the orchestration on the albums, Nick’s vocal harmonies, the changes in his lyrics over the years, a look back on the 20th anniversary of their debut album Lost Paradise (Peaceville), and much more. Order Obsidian here and check out the podcast: Continue reading
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Paradise Lost will release their new album Obsidian, via Nuclear Blast/Crash Records on May 15th, 2020. The band has shared the epic new single and video ‘Fall From Grace’, which you can see below. The band has also launched pre-orders and booked a record release show next fall at The Warehouse in Leeds on 17th September. Watch the new video now! Continue reading
As a proud Lancastrian all my life, it pains me to acknowledge the occasional superiority of bitter neighbours Yorkshire. One such area of supremacy is within the realm of Doom Metal: Paradise Lost and My Dying Bride have wielded the White Rose over some of the genre’s most memorable, emotional moments of the last thirty years and the latter’s erstwhile guitarist Hamish Glencross is determined to carry on that sound with his latest outfit Godthrymm. Debut album Reflections (Profound Lore Records) oozes the drama, power, and tragedy of his former band.Continue reading
Despite being established as Death Metal stalwarts, and already perhaps even close to attaining legendary status, the road for Bloodbath has often been seemingly a little bit bumpy. Admittedly a band that wasn’t always the main priority for its various members, over their time Bloodbath has had to lurk in the shadows waiting for busy schedules of to align. With alumni from the likes of Katatonia and Opeth, and more recently Paradise Lost, it has meant live shows are a rarity and album release schedules somewhat inconsistent. However, with Katatonia now on hiatus, it feels like Bloodbath can become a more prominent concern, which certainly seems evident with the fact that The Arrow Of Satan Is Drawn (Peaceville) is quite possibly their most vibrant and strongest effort to date.Continue reading
With people on social media proudly sharing photographs of their recently purchased or newly patched up tents, or cirrhosis-inducing beer supplies during the days and even weeks leading up to the event itself, by the time the big day actually arrives, anticipation for Bloodstock 2018 has already turned into a Christmas-like level of excitement.Continue reading