Birmingham UK post-Rock and Doomgaze band Outlander has shared a brand new single and video for the track “Want No More!” The track comes off of their upcoming sophomore album, Acts of Harm, due out on Church Road Records on June 28th, 2024. Pre-orders are live for the album now. “Want No More” is a beautiful, aching track deserving your attention and the video compliments it beautifully. Watch the video and stream the track now!Continue reading
Tag Archives: Shoegaze
ALBUM REVIEW: Blanket – Ceremonia
A genre-striding quartet from Blackpool, Blanket are back with their latest album, Ceremonia (Church Road Records). It is their third record and sees them continue their emotive brand of Post-Rock and Shoegaze, with the metal influences from their previous album Modern Escapism replaced with nineties Alternative Rock. Continue reading
ALBUM REVIEW: Newmoon – Temporary Light
In the mid-80s under the shadow of the Regan-era Cold War tension, bands like the Cocteau Twins crafted sonic fairylands that shone out from their depressive souls.
It makes sense that today’s youth would want to experience a similar escape.Continue reading
ALBUM REVIEW: Bipolar Architecture – Metaphysicize
Since the ending of their previous outfit Heretic Soul, German/Turkish outfit Bipolar Architecture have been on a bleak and introspective evolutionary path. From previous Death Metal roots, the band have seen their sound alter substantially into more expansive territory with the inception of their new band in a short space of time. Now following on from 2022’s brooding Depressionland (Self-Released), latest release Metaphysicize (Pelagic Records) sees them further refine this sound to compelling results.Continue reading
EP REVIEW: Full of Hell and Nothing (split) – When No Birds Sing
On paper, this makes perfect sense. A collaborative effort between Full of Hell and Nothing stand as two of the most creative outliers in their respective genres, and the mission statement of When No Birds Sing (Closed Casket Activities) is to fuse the juxtaposition of their varied sonic palettes. Brace yourself, as Full of Hell is the overpowering force when the album opens.
ALBUM REVIEW: Fearing – Destroyer
Do you like to dress in black? Do you prefer a solitary pint of cider in the back of a smoky bar? (the smoky part might be hard to fashion in this day and age) Do you favour wearing a trenchcoat? Do you feel in a state of perpetual ennui? Maybe you are a Berliner! Or perhaps you’re a member of a Darkwave band… maybe both!
ALBUM REVIEW: Svalbard – The Weight Of The Mask
I’ve been looking forward to wrapping my ears around Svalbard’s new material after catching snippets of what was to come when I caught them live supporting Russian Circles and Cult Of Luna over in Berlin earlier in 2023. And landing that European tour signified a fine start to a year which has also seen the Bristol based band sign for Nuclear Blast Records, with The Weight Of The Mask their first album for the prestigious new label and their first collection of new songs since the excellent When I Die, Will I Get Better? which was released on Church Road Records back in 2020.
ALBUM REVIEW: Mad Honey – Satellite Aphrodite
Satellite Aphrodite (Deathwish Inc.) is the debut album from Oklahoma’s Mad Honey, a four-piece who are variously described as dream-pop, shoegaze, indie and glitter rock (whatever that is).
ALBUM REVIEW: Ora Cogan – Formless
Singer-songwriter Ora Cogan, based in Vancouver Island, has been creating and releasing “cinematic compositions” since 2007. Her ninth album, Formless (Prism Tongue Records), presents a “bizarre sonic Venn diagram” of influences including gothic country, psychedelia, post-punk and more, according to the accompanying press release.
ALBUM REVIEW: An Autumn For Crippled Children – Closure
Despite the mystique around the band itself (with the identity of the members largely unknown), musically The Netherland’s An Autumn For Crippled Children have been consistent and mostly familiar. Across the span of ten full-length albums, their sound has hardly deviated at all but has shown signs of refinement in the past, with their brand of post-Rock and shoegaze-tinged Black Metal being both despairing and simultaneously almost comforting with the consistency.Continue reading