-ii- (pronounced “two eyes”) hail from Nancy, France, and Apostles of the Flesh (Self-Released) is their second album. For this release they have ventured away from their previous electronic approach and into something more organic performed by a full band. Indeed, joining the core duo of Hélène Ruzic (vocals) and Benjamin Racine (guitars, basses, synths, percussions, kayamb, xaphoon, bouzouki, piano) are Maxime Keller (basses, synths, prepared piano) and David l’Huillier (drums, percussion).
Outer Battery Records are building quite the musical roster for themselves not just with Swervedriver’s brilliant recent EP The World’s Fair, which was reviewed recently for Ghost Cult, but also the inclusion of Heavy Blanket (with J Mascis), Petyr and finally Obits; best known for featuring the legendary, late, great Rick Froberg (Drive Like Jehu/Hot Snakes), RIP. Excitingly, there are also live albums from Dinosaur Jr, Om, and OFF! available from the label. Impressive, right?Continue reading
Fleshwater’s new album 2000: In Search Of The Endless Sky (Closed Casket Activities) displays the lessons the band learned from playing arenas with a more anthemic nineties Rock sound than what was heard on “We’re Not Here to Be Loved.” It shoved singer Marisa Shirar into the spotlight, forcing her to own her identity as a frontwoman. The mix of this album is more radio-friendly with the vocals out front, as the guitar swirls around them. Shirar’s singing style is more Rock-oriented on this album, belting the choruses out as the guitar sits back in the mix. The atmospheric opener is the strongest song on the front end of the album, as the singles dial back the more shoegazing elements. Though it depends on what you want from music in this regard; if you are a fan of Paramore, the more alternative rock-leaning sound might be more to your liking. Continue reading
Five years can seem like an eternity if one is a big enough fan of a band, and waiting half a decade for new music from Deftones has certainly had fans chomping at the bit. Deftones’ 2020 album Ohms (Reprise Records, review here) took on a heavy and reflective tone that mirrored the emotional distress of the pandemic and lockdown. Now, Deftones followers can rejoice, as the band have emerged with private music (via Reprise and Warner Records), with eleven tracks of silver lining to what’s been a tense 2025. Co-produced and recorded in California and Nashville with producer Nick Raskulinecz (Foo Fighters, Korn, Alice In Chains, Mastodon), who worked on 2010’s Diamond Eyes and 2012’s Koi No Yokan (both also Reprise/Warner).Continue reading
Moon Destroys is debuting their self-produced full-length album, She Walks By Moonlight (Limited Fanfare Records). The band is the brainchild of guitarist Juan Montoya (ex-Torche, MonstrO) and drummer Evan Diprima (Gold Pyramid, ex-Royal Thunder). Having released their 2020 EP, Maiden Voyage, they’ve spent the past few years refining their sound—crafting a powerhouse blend of heavy rock and psychedelia. This album will resonate with fans of bands like Elder, Kyuss, Earthless, and Fu Manchu. Continue reading
Going to concerts on a Tuesday night may seem like a young man’s game. So does enduring a mosh pit for three songs to get some photos.
But I am over 40 and still here to tell the tale, just a bit worse for wear.
The Finnish heavy alternative crew Ceresian Valot release a visualizer (by Tommi Niukkanen) for the next single “Valojuovat” (tracers) off their debut album Uumen (depths) via Prophecy Productions on release on May 23, 2025. Watch the visualizer and pre-order the album now. Continue reading
Since their inception, Deafheaven have always been that band not to show where they’re going next. After releasing what some could consider their magnum opus in Sunbather (Deathwish Inc.), the band did not let that define the band they would become. Only two years later, they’d return with the far more moody New Bermuda (Anti Records/Epitaph Records). This would continue for the career they’d lead up to this point, especially in their previous efforts, Infinite Granite (Sargent House), taking the band from the Blackgaze sound they had cultivated and popularised, in search of a lighter, synthier approach. That brings us to the modern day, and it seems for all the teasing the band have done over the lead-up to their new project, Lonely People With Power, their debut release in their new deal with Roadrunner Records. This appears to be a culmination of what’s come before in one solid package, how these conflicting sounds will come together and meld is a completely different matter altogether.Continue reading
Swervedriver were formed in 1989 and lumped into the Shoegaze genre, alongside Lush, Chapterhouse, My Bloody Valentine, Slowdive, and fellow Oxfordians Ride. The band’s catalogue is extensive and consists of six full-length albums and eight EP’s of which The World’s Fair is the latest; the latter following up from last year’s outtakes/ demos collection Doremi Faso Latido (aka CD3 of the band’s reissued-classic-99th-Dream). The band’s somewhat sizeable catalogue is impressive even taking into account the fact that they had disbanded for a period of eight years, 1999 – 2007 with frontman Adam Franklin going on to forge an equally productive solo career under his own name as well as part of the bands Toshack Highway, Magnetic Morning and the Sophia collective. Continue reading
This review is going to break from the normal narrative we normally use here at Ghost Cult, where we steer away from how we feel personally about an album and try to stick to objective facts since Hangman’s Chair is one of my favorite bands. If you think that this will be a gushing love letter only fueled by my fandom, let’s correct that notion. My favorite bands are held to a much higher standard. My expectations here are exalted since I am emotionally invested in them. Continue reading