On October 25, Aussie punk icons Amyl and the Sniffers released their highly anticipated third studio album, Cartoon Darkness, via B2B Records and Virgin Music Group. This record follows the band’s 2021 sophomore album, Comfort To Me, and provides a heightened sense of poetic lyricism and societal commentary from the band, who are currently making themselves known as one of Punk’s most prominent names.Continue reading
Tag Archives: punk rock album reviews
ALBUM REVIEW: Miracle Blood – Hello Hell
Miracle Blood’s latest album Hello Hell would serve as a standout piece within any punk music lover’s record collection. Their new album Hello Hell, released by Nefarious Industries, is a cacophonous concoction of noise-punk, sludge, and heavy metal. The band’s sophomore LP is strange and unusual, and may be found to be the next underground favorite of those who themselves are strange and unusual.Continue reading
ALBUM REVIEW: Fightmilk – No Souvenirs
The sign of a good album is when it reinvigorates your appreciation for a musical genre or style.
Take Fightmilk. No Souvenirs (Fika Recordings/INH Records) is the latest full-length from the Indie/Pop Punk outfit. The songwriting is enticing and clever; satirical at times but not haphazard or misguided.Continue reading
ALBUM REVIEW: Trash Boat – Heaven Can Wait
It is not until a band evolves and transforms their sound that they are able to unleash their fullest potential. With their last album Don’t You Feel Amazing? in 2021, British alternative rock outfit Trash Boat proved there was more to them than Pop Punk. With their fourth album Heaven Can Wait (Hopeless Records), the band has found their footing in their own unique blend of Rock, Metal, Punk, and experimental elements, taking the most captivating aspects of each to bring their brutal and contemplative vision to life.Continue reading
ALBUM REVIEW: Rat Boy – Suburbia Calling
Hitching their wagon to both Ska influences and Pop-Punk/Alt Rock proclivities, Rat Boy opts for colorful and lively compositions all across new full-length Suburbia Calling (Epitaph Records).Continue reading
ALBUM REVIEW: Dale Crover – Glossolalia
Celebrated Drummer Dale Crover has been performing with the Melvins since 1984 when he replaced founding member Mike Dillard, since then he’s had stints with Nirvana and collaborated in projects such as Shrinebuilder, Men of Porn and Conan Neutron & the Secret Friends. Furthermore, he performs with Redd Kross, and has embarked on a solo career, first with the Hard-Rock flavoured Altamont and then the eclectic, experimental compositions under his own name. Continue reading
ALBUM REVIEW: Fontaines D.C. – Romance
This album is a huge leap of change since Fontaines D.C. released Skiny Fia in 2022. Romance (XL Recordings) finds the band wandering out into psychedelic Brit Pop. Drugs certainly might explain some of the changes, though Producer James Ford whose resume includes Gorillaz, HAIM, and Depeche Mode certainly explains the mix and how the sounds are presented here. When it comes to the groove of “Starbursters” it’s hard to argue with the results. This Irish band might have shelved The Clash influence that marked their more post-Punk flavor previously, but this does not feel like they are selling out. Continue reading
ALBUM REVIEW: Melt-Banana – 3+5
If Noise-Rock, and Punk were musical movements built on no more destructive behaviour than a gigantic excess of sugar, and were intrinsically aligned with computer game soundtracks, the world might have many a Melt-Banana. Continue reading
ALBUM REVIEW: The Story So Far – I Want To Disappear
As one of the highest acclaimed modern Pop Punk bands, The Story So Far has set a high bar for themselves to live up to with every new release. After almost six years since their last album Proper Dose proved their ability to go beyond standard Pop Punk, the band is continuing their legacy with their fifth album I Want To Disappear (Pure Noise Records). Continue reading
ALBUM REVIEW: The Early November – The Early November
New Jersey Alt-Rock stalwarts The Early November are back with the obligatory step in every artist’s career – the self-titled album (via Pure Noise Records). Now just a duo, frontman Ace Enders and drummer Jeff Kummer, The Early November seventh record is a distillation of their signature, emo-meets-pop-punk style of alternative rock with its crunchy guitars, polished hooks and introspective, angst-filled lyrics. Continue reading