Highly-respected Ulster Sludge/Doom outfit Slomatics is as well known for its countless splits, most prominently with fellow Doom yellers Conan, as it is for its own produce. So it’s something of a surprise to discover that Canyons (Black Bow Records) is the band’s sixth album in its fifteen-year existence, but as expected it shows a soupçon of originality in the unrelenting, slothlike heaviness.Continue reading
Tag Archives: Paul Quinn
Enablers – Zones
Most people’s experience of ‘spoken word’ music, outside of the Rap genre, is Jim Morrison‘s ‘American Prayer’. Beat Poetry, for this is essentially the format, is a hugely involving yet highly personal style which often resounds with the listener. This is most definitely the case with Enablers: a San Francisco post-Punk four-piece whose beguiling, occasionally fiery music is set to the poetry and narrative of frontman Pete Simonelli.Continue reading
Pelican – Nighttime Stories
Some things in life carry a level of excitement and anticipation that seems life-changing, almost transcendental: marriage; the birth of a child; a pilgrimage. It seems over-trivialising to compare the release of a Pelican album to any of the above, but after six long years, a new offering from the iconic post-Metal instrumentalists is akin to the herald of a new dawn. Nighttime Stories (Southern Lord Recordings) is an emotional, dramatic and involving as one would expect it to be.Continue reading
King Hobo – Mauga
Upon the release of its eponymous debut album in 2009, there was a serious buzz around US /Swedish supertrio King Hobo. This was largely caused by the involvement of Clutch drummer John-Paul Gaster, but that criminally ignored the input of Per Wiberg and Thomas “Juneor” Andersson from Blues-Stoner purveyors Kamchatka. Ten years later the band finally returns with sophomore long-player Mauga (Weathermaker Music) and whatever opinion the listener holds for the results, it will surely redress the balance for all three members.Continue reading
Cave In – Final Transmission
If you’re a fan of any music that Caleb Scofield created or played, bring the tissues for this one. Cave In‘s aptly-titled Final Submission (Hydra Head) is a collection of recordings made with the band’s late bassist before his tragic death last year and contains much input from the man himself. It’s a slightly different album than fans might expect, but in many ways, it’s more meaningful for it.Continue reading
Valley Of The Sun – Old Gods
Since their 2010 inception, Ohio trio Valley Of The Sun has been lauded in the same breath as Grunge legends Alice In Chains and Soundgarden, while not yet achieving that level of iconic status. New album Old Gods (Fuzzorama Records) sees the band maturing, with a gentle psychedelia gracing those heady grooves.
Earth – Full Upon Her Burning Lips
Despite being heralded as a paragon of minimalist Drone, Dylan Carlson and his fluctuating incarnations of Earth have eschewed the usual expectations of such music, moving through variations on the theme throughout their thirty-year existence. Ninth studio album Full Upon Her Burning Lips (Sargent House) sees the band return to its core of Carlson and percussionist Adrienne Davies, leading to a partial revisit of earlier days.Continue reading
Duel – Valley Of Shadows
It’s a soulful, heavy trip with Texan quartet Duel. Formed largely from the ashes of Groove rockers Scorpion Child, new album Valley Of Shadows (Heavy Psych Sounds) is their third album in three years but despite the prolific nature, there remains a certain impact from the tracks on offer here.Continue reading
Age Of The Wolf – Ouroboric Trances
In further proof of Metal’s worldwide appeal, dropped-out troupe Age Of The Wolf hail from Costa Rica. There’s pedigree in the ranks too, with ex-Corpse Garden six-stringer Christopher de Haan at the forefront of their sound, and the Extreme Metal experience of the quartet lends a seriously hard edge to Stoner-flavoured debut Ouroboric Trances (Aural Music).Continue reading
Rama – Everything Is One
Turin visionaries Rama are often described as Desert Rock, but right from their self-titled 2015 EP (Self-Released) there was evidence of a deeper, simmering destiny. Debut album Everything Is One (Today/Brigante Records) furthers this cause, with elements of earthen fire and melodic sweetness enlivening that Stoner background.Continue reading