ALBUM REVIEW: Swamp Coffin – Drowning Glory


An entire anthropological study could be done on how the region a band comes from affects the sound of any given genre. Continue reading


ALBUM REVIEW: Nightwish – Yesterwynde


Despite the unwavering presence of founder member, composer, and keyboard player Tuomas Holopainen, the Nightwish of today is very different to the Nightwish which began in 1996. From a three-track demo to multi-million dollar selling albums featuring full orchestras and huge production values, the band has grown from three Finnish musicians to becoming a multinational enterprise.Continue reading


ALBUM REVIEW: Trelldom – …by the shadows…


On …by the shadows… (Prophecy Productions), Norway’s Trelldom shows how Satan can find subtle ways to drag the listener into hellContinue reading


ALBUM REVIEW: Flotsam And Jetsam – I Am The Weapon


Beginning life as Paradox, Dogz, and slightly more embarrassingly, Dredlox, Flotsam and Jetsam has enjoyed/endured somewhat of a staggered career trajectory since 1984. Taking the Metal world by storm with Doomsday For The Deceiver in 1986, the Arizona thrashers delivered the equally impressive No Place For Disgrace a couple of years later, and the world, as they say, looked to be their oyster.Continue reading


ALBUM REVIEW: Blitzkrieg – Blitzkrieg


Blitzkrieg, the on-and-off NWOBHM veterans much loved by Metallica, are back with their new self-titled album (Mighty Music). Much like AC/DC do and Motörhead, did, Blitzkrieg stick to what they know – which is classic metal of a decidedly eighties vintage that fans of Diamond Head, Judas Priest, and Saxon will know and appreciate.Continue reading


ALBUM REVIEW: Boston Manor – Sundiver


While the band started with a familiar yet distinct brand of pop punk, British rockers Boston Manor’s sound has evolved into something even more defined. Ever since their second full-length Welcome To The Neighbourhood, Boston Manor have been experimenting with and expanding on a sound reminiscent of film noir—one that gets more and more vivid with each release. Their fifth album Sundiver (Sharptone Records) shines a new light to the world they continue to grow. Continue reading


ALBUM REVIEW: Copse – MMXXIV


Much like an anthology of a renowned author’s most acclaimed works, MMXXIV (Church Road Records) is a collection of the first two EPs released by Copse.

And there’s good reason to have the Post-Black Metal band’s five songs in one physical form: they are undoubtedly the gold standard for how the genre should sound.Continue reading


ALBUM REVIEW: Nails – Every Bridge Burning


Eight years on from You Will Never Be One of Us, Californian Powerviolence four-piece Nails return with their fourth full-length, Every Bridge Burning (Nuclear Blast Records), evidently intent on doing some damage. 

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