ALBUM REVIEW: Electric Wizard – Black Magic Rituals and Perversions, Vol. 1


In 2024, Electric Wizard returns with their first album in seven years, Black Magic Rituals and Perversions, Vol. 1 (Spinefarm Records), a live album. Returning with a live album is one thing but this isn’t your ordinary live album. Usually, when one thinks of live albums, you may think of hearing bombastic stage sounds and roaring crowds, but Electric Wizard chose to record to an audience of each other and to the fans with the idea that people would get to hear what a band, trapped in isolation with the thought of possibly never playing again. The result of this album is a crushing presentation of songs that are even more raw, angry, and fist-clenching than before.  Continue reading


ALBUM REVIEW: Nachtmystium – Blight Privilege


The problem with American Black Metal bands, is they are often comprised of Punk Rock kids from Brooklyn or any other hipster city, who appropriate the sonic aesthetics that work for their indie-rock sensibility lacking any sense of darkness. There are a few bands who have proved an exception Tombs, Weakling, and Nachtmystium. Blake Judd’s struggles with addiction are responsible for giving Nachtmystium its legitimacy his harrowing accounts of inner torment are far more intense than faux Satanism. After all, exorcising one’s demons can not be faked. Blight Privilege (Lupus Lounge) is Judd clawing his way back up from the abyss to make music again. This album might not be as experimental as his past work but it feels more honest. Continue reading


CLASSIC ALBUMS REVISITED: Black Sabbath – “Paranoid” Turns 50


 

With bands taking so much time between studio albums these days, it’s astonishing to believe that in the space of just three years, between 1970 and 1973, Brummie icons Black Sabbath released no less than five of the most important records in the annals of heavy metal. 

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