ALBUM REVIEW: Spiritworld – Helldorado


If you believe Hardcore has little to offer outside of the fairly narrow musical alleyway it usually occupies then today might just be the perfect time to take a listen to SpiritWorld. Combining Country Music and bedazzled outfits with Punk aggression and Thrash Metal riffs, the Las Vegas act are a sight to behold and they return with a vengeance on third full-length album Helldorado (Century Media Records).

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EP REVIEW: Iron Form – Cut From Cold Blood – Church Road Records 


The new EP from Church Road Records artists Iron Form titled Cut From Cold Blood is a five-piece band showing off their musical influences and technical merit. Another example of a band breaking through genres by just playing what comes naturally to them in their songwriting process.Continue reading


ALBUM REVIEW: Warbringer – Wrath and Ruin


Spring is coming to the Northern Hemisphere as the temperatures start to rise. The bar for the coveted Album of the Year continues to rise as more music is released weekly. Thrash stalwarts, Warbringer, take their shot at the crown with their seventh full-length, Wrath and Ruin (Napalm Records). Each album the California-based group releases builds upon their last release, continuously pushing the boundaries of their brand of thrash metal. For forty minutes, John Kevill and company command your attention as their riff-powered tank tramples the mangled corpses of the fallen.Continue reading


ALBUM REVIEW: Kazea – I. Ancestral


Formed by two former members of Orochen (Jonas Mattsson and Rasmus Lindblom) plus Daniel Olsson of Hellsongs, Kazea have existed since 2023, and I. Ancestral (Suicide Records) is their debut album.Continue reading


ALBUM REVIEW: Dawn Of Ouroboros – Bioluminescence


Continuing their trend of incorporating album titles with color-inspired themes, Blackened Progressive Death Metal outfit Dawn Of Ouroboros follows 2023’s Velvet Incandescence with the equally magnificent effort, Bioluminescence (Prosthetic Records). Continue reading


ALBUM REVIEW: Avantasia – Here Be Dragons


Tobias Sammet’s Avantasia new record Here Be Dragons (Napalm Records) continues their bombastic brand of Meatloaf Metal. It is the German metal outfit’s tenth album and it is typically intense and grand in scale.Continue reading


ALBUM REVIEW: Hirax – Faster Than Death


Google “Hyrax.” 

Go ahead. I’ll wait. 

That little guy sure was cute, wasn’t he (or she)?  

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ALBUM REVIEW: Hangman’s Chair – Saddiction


This review is going to break from the normal narrative we normally use here at Ghost Cult, where we steer away from how we feel personally about an album and try to stick to objective facts since Hangman’s Chair is one of my favorite bands. If you think that this will be a gushing love letter only fueled by my fandom, let’s correct that notion. My favorite bands are held to a much higher standard. My expectations here are exalted since I am emotionally invested in them. Continue reading


ALBUM REVIEW: Black Talon – Scenes Of Agony


It’s taken ten long years but Edinburgh thrashers Black Talon follow up highly promising full-length studio debut Endless Realities with their independently released second album, Scenes of AgonyContinue reading


ALBUM REVIEW: Vertex – The Purest Light


For a microgenre that asserts itself to be progressive and quite serious, the result in regards to band members is quite the opposite. Djent, while having quite serious origins in the progressive metal-sphere, quickly turned quite tongue-in-cheek, with even big hitters Periphery using their tongue-in-cheek album title Djent is not a genre as a light-hearted jab at the genre. Vertex, on the other hand, seem like they’re bringing in a more serious tone to the scene, taking inspiration from huge acts in the acne with their debut EP in 2019, the band have been hard at work to follow this up with their debut album, The Purest Light (Le Cri Du Charbon). This may have taken over 5 years, but the band has grafted hard to create this 53-minute behemoth. Continue reading