ALBUM REVIEW: Dayseeker – Replica


After the highly successful run of their 2022 album, Dark Sun, Dayseeker have decided to take things back a step, revisiting their music in a different light. Continue reading


ALBUM REVIEW: Bob Vylan – Humble As The Sun


It’s been a wild few years for the Grime Punk hybrid duo, Bob Vylan, managing to pull out two of the most hard-hitting albums 2 years on the trot in the form of We Live Here and Bob Vylan Presents The Price Of Life. Displaying a range of venom and blunt wordplay that’s not been seen in the UK scene in years. The two-piece seem to not have faltered either, less than two years since the release of The Price of Life and the band are back at it again with the fourth album in their discography Humble As The Sun (Ghost Theatre Records) “This album is for the underdogs, the ones who come out swinging and those who refuse to bed defeated in the name of injustice.” stated Bobby Vylan. Clearly, from this mindset behind the new album, not a lot has changed since the previous release. How will Humble As The Sun stack up against such a high-caliber discography attained by the duo?Continue reading


ALBUM REVIEW: Ghøstkid – Hollywood Suicide


After abruptly leaving Electric Callboy in 2020 after ten years, Sebastian “Sushi” Biesler wasted no time forming Ghøstkid, a project leaning far more into the darker side of nu metal. Continue reading


ALBUM REVIEW: Kill The Lights – Death Melodies


It’s hard to believe that it’s almost been a decade since Michael “Moose” Thomas left metal big-hitters Bullet For My Valentine citing It just got boring”. 

The drummer then went on to show his true potential with former members of Still Remains and Threat Signal, with the debut album of his new project Kill The Lights. Almost four years on from their last release From Ashes, and now the supergroup are back with their latest release, Death Melodies (Fearless Records). Continue reading


ALBUM REVIEW: A Burial At Sea – Close To Home


With all the technical and specialist instrumentalism that goes into the world of post-Rock, it is no wonder that the sub-genre has almost become synonymous with being a tad bit pretentious, with acts at times focusing on how skilled their members are than writing a good song. 

It’s only been six years since A Burial At Sea formed, but quickly they have cemented in their earlier works that this has not been the case for them at all. Continue reading


EP REVIEW: SNAYX – Better Days


UK Punk has had a bit of a resurgence in the past few years, with acts like Bob Vylan and Kid Kapichi bringing the likes of grime into the sound. The result has been massive for the scene on an even larger scale with Idles having sold out numerous dates instantly.

It is a good time to be a proud fan of the UK Punk scene. Continue reading


ALBUM REVIEW: Emil Bulls – Love Will Fix It


For a band like Emil Bulls, who have been slavishly grinding away at their music for coming up to three decades now, it is a wonder that their latest album Love Will Fix It (Arising Empire), is the first collection of original music to come from the band in over five years. Having come through various waves of metal and hard rock, whilst bringing plenty along for the ride into their own unique sound, it’s truly curious how much they’ll have taken in their stride since the release of their previous album, Kill Your Demons. Continue reading


ALBUM REVIEW: HEALTH – Rat Wars


The Industrial-meets-Metal meets Electronic, meets any-other-genre-they-fancy trio HEALTH have made a name for themselves in the music world by doing what the name implies, anything they want to. 

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ALBUM REVIEW: Plain White T’s – Plain White T’s


 

Whenever The Plain White T’s come up in conversation, it is seemingly impossible to get in more than a few words before their magnum opus “Hey There Delilah” is mentioned. 

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ALBUM REVIEW: Dying Wish – Symptoms of Survival


 

For those heavily into the metalcore scene, Dying Wish have been that band on everyone’s lips that are looked on to be the scene’s next biggest thing. 

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