ALBUM REVIEW: SYK – eartHFlesh


At now around a decade since their inception, Italy’s SYK have been garnering a, perhaps understated, but certainly formidable reputation with a penchant for complex and dissonant Death Metal. Continue reading


ALBUM REVIEW: Red Rot – Borders Of Mania


 

Combining extreme music sensibilities and Doom-inspired vocal machinations, Red Rot have put forth their latest full-length, Borders Of Mania (Hammerheart Records), a fifteen-track compendium that oftentimes struggles to find an identity and isn’t helped by erratic song lengths that squelch any momentum that may have been built – the forty-four-minute effort could have been better served as two separate polished releases. There are serviceable characteristics here and there, but certainly not enough to justify the ambition. Continue reading


ALBUM REVIEW: Bossk – .4


When you think of British Post-Metal, Bossk are almost certainly one the first bands that spring to mind. A truly remarkable outfit that undoubtedly take influence from the likes of Isis, while they also often groove musically in the style of many of the great Stoner bands of the nineties. Named after an alien from Star Wars – The Empire Strikes Back, the Kent-based collective have been plugging away since 2005, when early EPs and a strong reputation as a live band saw them tour with the likes of Cult Of Luna, The Ocean, Baroness and Devil Sold His Soul. While their studio output really came into its own with the release of their fine debut LP Audio Noir in 2016, before following this up with the equally as classy Migration in 2021.Continue reading


ALBUM REVIEW: Deliria – Phantasm


Boy is it exhilarating when a group of meticulous and notable artists get together to show the world how music is done the right way!Continue reading


ALBUM REVIEW: Daath – The Deceivers


After 13 years, Dååth has returned with their new album, The Deceivers (Metal Blade records).

The band, helmed by sole founding member Eyal Levi, returns to a different musical landscape. Metal has perhaps the most loyal fan base of any genre of music, yet the climate is much different than when the band released their self-titled album in 2010. Death Metal is now more regularly integrated with Black Metal and Metalcore. Record companies often market Pop acts as Metal, depending on the thought police of the internet to defend them with cries of gatekeeping, when voices rise against this.Continue reading


ALBUM REVIEW: Atræ Bilis – Aumicide


There are two dead giveaways that Atræ Bilis have something very, very weird in their back pocket.

Released by the continuously boundary-blurring 20 Buck Spin, Aumicide’s cover artwork is something that, let’s just say, probably shouldn’t be focused on too long whilst at work or in a public setting. Continue reading


ALBUM REVIEW: Couch Slut – You Could Do It Tonight


How many times have you heard a band described as genuinely “unsettling” to listen to? In all honesty, this scribe in question has probably described a few in writing as such. Well, more than likely those acts cannot come even close to the nauseating realism, punishing content and sonic barrage of New York’s Couch Slut over the last few years.

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ALBUM REVIEW: BIG|BRAVE – A Chaos Of Flowers


Hot on the heels of 2023’s excellent Nature Morte, experimental doomgazers BIG|BRAVE release their sixth full-length record, A Chaos Of Flowers (Thrill Jockey Records). Continue reading


ALBUM REVIEW: Melvins – Tarantula Heart


One day we pulled the curtains open on a bright, new day and out there on the street we were greeted by Melvins, taking their Tarantula Heart (Ipecac Recordings) procession all the way through the town. Zombie teddy bears and dogs in suits up on their hind legs stepped in time while King Buzzo, Dale Crover, and Steven McDonald lead the way, soon joined by drummer Roy Mayorga and guitarist Gary Chester from the flanks.
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