The gloom of fall is here, but at least we have great music! The Power Hour is back with just Chief Editor Ghost Cult Keefy! We look back at albums released in October 2024, and a forecast of new music out this month. Continue reading
The gloom of fall is here, but at least we have great music! The Power Hour is back with just Chief Editor Ghost Cult Keefy! We look back at albums released in October 2024, and a forecast of new music out this month. Continue reading
The sign of a good album is when it reinvigorates your appreciation for a musical genre or style.
Take Fightmilk. No Souvenirs (Fika Recordings/INH Records) is the latest full-length from the Indie/Pop Punk outfit. The songwriting is enticing and clever; satirical at times but not haphazard or misguided.Continue reading
For fans of Heavy Metal, finding a band that authentically channels the genre’s timeless essence while delivering a fresh live performance is akin to striking gold. Night Demon, a trio hailing from Ventura, California, embodies just that. On my second encounter with them, their mastery of head-banging anthems clearly cemented my status as a devoted fan.Continue reading
The Perth-based Make Them Suffer transcend the boundaries of Deathcore with their self-titled fifth album being released on SharpTone Records. Continue reading
The mighty Beartooth return to Manchester’s O2 Victoria Warehouse, bringing along with them Landmvrks and Polaris for two nights of solid metalcore-laced mayhem. Continue reading
Consistently being the inherent epitome of a harsh menacing winter and presenting ever-enigmatic themes that have to do with the void of darkness and the subconscious, the Switzerland-bound Paysage d’Hiver has been around for quite some time playing inclement Ambient Black Metal with a low-fidelity raw production, while also incorporating elements of a myriad of associated styles, being Funeral Doom Metal, Dungeon Synth, and Drone. Continue reading
The third album from Joliet, Illinois-based Molder, Catastrophic Reconfiguration (Prosthetic Records), is a collection of sonic brutality.
Presented here are ten cuts where each stands on its own, each vying to be the song that kicks the most ass.
Forty years ago, Sascha Konietzko started a little band as a performance art project, KMFDM. During the following years, there have been a few lineup changes, albums released every year or so, regular tours and growing popularity. The band is one of the original Industrial bands, and to celebrate the milestone, they did what they do best: release a new album, tour, and perform. This time the tour took them to Irving Plaza in New York City and Ghost Cult was there to join in the fun. Continue reading
ISLEPTONTHEMOON is an anonymous solo project based in Atlanta, Georgia. Only The Stars Know Of My Misfortune (Bindrune Recordings) is their third full-length release.Continue reading
Some shows you take road trips to go and see, and this was one of them. On November 1st, I made the trek to Philadelphia’s Wells Fargo Center to see the Iron Maiden and The Hu share the stage. From New York, it should be a two-hour trip-plus with traffic, you can add an extra hour. Silly me, that wasn’t enough. Continue reading