This was a great eclectic night and while I am well versed and have seen both Dälek and Pigs Pigs Pigs Pigs Pigs Pigs Pigs a handful of times the local opener Taraneh I was unfamiliar with and pleasantly surprised by. Their visual appearance didn’t necessarily fit the mellow shoegaze vibe that they were throwing down, but that’s just a learning curve for a band and nothing to fault them for. All in all I dug it. It was mellow and flowy and a nice different way to start the show.
Let’s get one thing out of the way, Roadburn is still the premier underground fest that it has always been. I know so many people who went into this year’s fest expecting it to be their last, saying the lineup wasn’t for them, or that they didn’t like this change or that change. But I can tell you, they have all already booked rooms and bought tickets for next year. Change isn’t bad.
This was a hell of a show from start to finish and the best way I could have started the 2023 year if you want to quantize it that way. Boozewa (ˈbooze-ˌwä), features members of Backwoods Payback, hailing from West Chester, PA started the night off. Good lord, riffmas stayed late this year and treated Brooklyn with a healthy heaping of head-banging, fun time signatures, thick bass, and caveman drums.
Rejoicing still in the simple fact we can have a physical Roadburn again, the final two days definitely wore on our pandemic shocked psyche and physique. Stumbling more and wearing down in a way I’m not used to, I mentioned to some friends during the weekend the Pandemic has made us all old, and 5 days on our feet now feel a lot longer. Saturday started with the feeling it felt like a Sunday, traditionally called the afterburner, because by that time you are fairly burnt out.
After three years of waiting and longing, finally there will be an in person Roadburn Festival again. While the 2021 online edition Roadburn Redux, was in itself, innovative and the best digital festival I’ve seen set up during the dark days of the pandemic, nothing beats being physically shaken by bass heavy music and hugging friends from all over the world you only see once a year.
Ghost Cult caught up with Mike Scheidt of YOB recently, while the band was on their mini-headline tour. Mike talked about the return to touring, his approach to playing live, the longevity of the band, the new deluxe re-issue of their classic album Atma (Relapse Records) – what Mike is reading these days, and the progress of the next YOB album! Also, check out this EXCLUSIVE photo set from YOB live in New York by Dante Torrieri of Useless Rebel Imaging! In addition to our recent live review of the current tour from the band, Ghost Cult scribe Michael Miller shared his thoughts upon seeing the band recently sharing the common awe we all feel experiencing the band, as well, which serve as a nice warm up to our chat with Mike.
Locals Glorious Depravity featuring members of Woe, Mutilation Rites and Pyhrron started the night off, the last time we checked in with them was shortly before shit hit the fan with the pandemic and this was their first show back since and damn they have tightened up and worked out the kinks. Looking forward to what they have in store for us in the future.
In certain circles, some might say “so goes Matt Pike, so goes the entire metal scene.” As the co-founder of two of the most iconic bands of the last two generations of die-hard metal fans, Pike’s mighty riffs laid down with SLEEP and later with High on Fire has led him from the underground to mainstream love from critics and fans alike. With his debut book about to drop, and a solo album tentatively due in 2022, Pike is on a roll and a High on Fire show, playing their first concerts in a few years now, is a necessary ritual for fans.
In a new series at Ghost Cult are we spotlighting our photography team with some forgotten photo sets and the stories behind them. Here, Dante Torrieri of Useless Rebel Imaging discusses a show with YOB and Dark Castle. You can see more of Dante’s photos and his new Patreon at the links below. Continue reading →