With Halloween upon us, and Instagram beginning to fill with girls sporting a Vampira look for their selfies, it begs the question what is Goth? The answer might not be revealed in Dead Posey’s new album Are You In a Cult (Self-Released), but this duo is banging out some fun-filled arena rock that has more in common with The Pretty Reckless than it does Siouxsie and the Banshees. The album is full of catchy choruses and frontwoman Danyell Souza sings about creepy things, but it packs the kind of punch that would be more at home at the Welcome to Rockville fest than, opening for The Cure. Continue reading
Tag Archives: Siouxsie and the Banshees
ALBUM REVIEW: Fourth Dominion – Diana’s Day
Fourth Dominion hails from Rochester, New York already steeped in a rich musical heritage, cue No-Wave legend Lydia Lunch, Swing era Jazz musician Cab Calloway, Garage-Rock revivalists The Chesterfield Kings, and of particular interest to Ghost Cult regulars, Grind gods Brutal Truth. Fourth Dominion therefore appear to be in esteemed company.
EP REVIEW: Dreamwheel – Redeemer
The Redeemer EP (Nefarious Industries) is the debut release from Dreamwheel, a duo consisting of Evan Linger (guitar, bass, piano, synth — also of Skeletonwitch and Cultist) and Julia Gaeta (vocals — also of Madrigal and Light of the Morning Star; formerly of Albez Duz and Restless Ghosts). On this album, the core members are also aided by James Stewart (drums) and Tom Zwanger (percussion and sounds).
ALBUM REVIEW: Grave Pleasures – Plagueboys
Grave Pleasures were one of those bands that had been stuck on my ‘must check out at some stage’ list, until now. In case you weren’t aware of the history, they originally formed as Beastmilk back in 2010 and put out debut Climax after which came the name change as well as a string of subsequent releases. Plagueboys is the band’s fourth full-length album overall and the follow-up to 2017’s Motherblood. Continue reading
ALBUM REVIEW: Louise Patricia Crane – Deep Blue
Cutting her professional teeth among serious pedigree as a member of Psych-Rock collective The Eden House Orchestra, the ethereal vocals of Belfast’s Louise Patricia Crane have dripped honey with such luminaries as Monica Richards and Julianne Regan. Debut solo album Deep Blue (Peculiar Doll Records) sees a host of Rock legends lend a hand to create a work of strange, wistful charm, paying due deference to a number of influences in the process.Continue reading
ALBUM REVIEW: Blackwater Holylight – Veils Of Winter
Blackwater Holylight (RidingEasy Records), the début album from the Portland, Oregon-based doomstresses of the same name, delivered not merely an enlivening quality but also realised founder member Alison ‘Sunny’ Faris‘ intent of giving heavier rock a new lease of life by incorporating more tuneful, lighter music into that sound. With second album Veils Of Winter (RidingEasy Records) the band, now a quintet with the addition of guitarist Mikayla Mayhew, aim to expand on that formula and the buzz created by that first release.
Emigrate – A Million Degrees
With fiery Germans Rammstein readying their seventh studio album for early 2019, guitarist Richard Kruspe has chosen the optimum time to release A Million Degrees (Universal/Spinefarm), his third “solo” record under the Emigrate banner.Continue reading
Grave Pleasures – Motherblood
One short drumfill. That’s all it takes to bring you back into the Death Rocking world of Mat McNerney (aka Khvost) before Motherblood (Century Media) launches into an uptempo angular, jangly Joy Division-inspired shuffle, and the smile spreads across the lips.Continue reading
Kroh – Altars
Those aware of the vicious nastiness of Birmingham UK’s Fukpig will be more than familiar with key member and ex-Anaal Nathrakh live bassist Paul Kenney. Five years ago, Kenney began Occult Doom outfit Kroh as a duet, and has resurrected it to stunning, electrifying effect with second album Altars (Devizes Records).Continue reading