ALBUM REVIEW: Spike Fuck – Evidence


As a child of the Eighties, when I chose Spike Fuck‘s Evidence (Scared Bones Records), the genre New Wave had me thinking Flock of Seagulls, A-Ha, Howard Jones, Blondie, The Bangles, and a hundred other synth-heavy bands with heavy radio airplay. What I forgot was that New Wave meant the New Wave of Punk Rock. The earliest bands included Lou Reed and The Cars, among others. Spike’s music hearkens back that far.  Straight-up near-acoustic vocals, guitars, and drums sorrowfully pour out personal tunes all over this debut album.

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ALBUM REVIEW: Grave Pleasures – Plagueboys


 

Grave Pleasures were one of those bands that had been stuck on my ‘must check out at some stage’ list, until now. In case you weren’t aware of the history, they originally formed as Beastmilk back in 2010 and put out debut Climax after which came the name change as well as a string of subsequent releases. Plagueboys is the band’s fourth full-length album overall and the follow-up to 2017’s Motherblood.  Continue reading →