When it comes to Italian Brutal Technical Death Metal heavyweights Hideous Divinity, you tend to know what you’re getting yourself into prior to sitting down to give a listen or two.
And that isn’t a bad thing.Continue reading
When it comes to Italian Brutal Technical Death Metal heavyweights Hideous Divinity, you tend to know what you’re getting yourself into prior to sitting down to give a listen or two.
And that isn’t a bad thing.Continue reading
As we close in on the end of the first quarter of 2024, our ear holes are blessed with some new spacey Hardcore in the form of Spaced and their debut, This Is All We Ever Get (Revelation Records). This album is a quick/ one with only eight tracks and the longest track being around two and a half minutes, but it gets its point across without going stale.Continue reading
The multilayered masterpiece that is Deprecipice (MNRK Heavy) is lightyears away from anything else that has graced the brutal metallic sludge/Hardcore/Death Metal scene for quite some time. Leave it up to Mastiff to be the ones leading the charge. Continue reading
Lustmord is the pseudonym of Brian Williams, now more than four decades into his music career and with myriad releases under his belt, including many soundtracks and collaborations, as well as a plethora of “ordinary” albums.Continue reading
For nearly thirty years, Aborted has been the backbone of the Death Metal scene. With another release in the collection, the Vault of Horrors (Nuclear Blast Records) has been opened. Continue reading
Finland is reported to be one of the happiest countries in the world. Even though it can produce some fantastically grim Metal acts, this Nordic nation has some jubilant bands as well. Continue reading
The ever-belligerent Cleveland-based one-man unit Midnight returns with a prolific sixth full-length entitled Hellish Expectations, out via Metal Blade Records. Continue reading
The term “heavy” is most often associated with Metal. But Metal is not the only genre of music capable of invoking heaviness. Of all the other genres capable of tapping into heaviness, synthwave is not going to be first on the list. Continue reading
The Myrath sound is an exciting, intoxicating and entertaining one. On Karma (earMUSIC), there’s a dark side to some of the lyrical content (“Wrath of a raging sea …” Demons, oblivion, etc), leaning towards the heavy and the epic, but the overall impression is relatively light, hooky and generally uplifting. Continue reading
The newest offering from Kollapse is by no means something that should be consumed whilst in a distraught headspace. AR (Fysisk Format Records) is as much an introspection as it is a complex collection of seven Noise Rock, Sludge, and experimental tracks from the Danish trio. Continue reading