After years of no gigs, many festivals moved, or revamped. Into the Void has been around a while, but this year is the first time it is held in Eindhoven, Just one day we have 11 bands to get through in the Effenaar, with a nice mix of genres that the Club Void shows also share. Given the rather solid line-up for those who love Stoner, Doom Metal, Psych, and even some post-Metal, Ghost Cult went to have a look.
Over the years, the ever-talented J Mascis has been creating powerful impacts on the underground music scene by being involved in a myriad of projects. He is best known for being the frontman of the legendary three-piece alternative rock act Dinosaur Jr., but there are also plenty of other projects that he has left marks on. Some of them being the short-lived hardcore punk quartet Deep Wound, the Sabbath-influenced stoner/doom act Witch, and the rather underrated sludge/doom act Upsidedown Cross, to name some.
Since forming in 2008, Thurmont, Maryland trio Faith In Jane has racked up an astounding eight releases of which Axe To Oak (Grimoire) is the latest. Quite impressive when you consider it takes a band such as Guns ‘N’ Roses decades to put out new music. The band is comprised of Dan Mize – guitar/vocals, Brendan Winston – bass, and Alex Llewellyn on drums.
Clutch, the irrepressible quartet from Maryland, America have just graced our ears with a new record Sunrise On Slaughter Beach (Weathermarker) – their thirteenth record, coming four years after Book Of Bad Decisions. It is unmistakably a Clutch album, full of hearty riffs and deft turns of phrase, but it is a shorter and more varied one than its predecessor.
There is plenty of heat coming out of Atlanta, Georgia and we aren’t just talking about their humid weather. Sadistic Ritual includes many prominent members of noteworthy Atlanta-based bands (such as Paladin and Vimir). Their 2019 debut, Visions of Death, was described by Decibel as, ”a fearsome thrash ripper”. Back with more blackened thrash tunes and a psychedelic atmosphere along with some slick ass production, the band is poised to reach a broader audience with The Enigma, Boundless, their sophomore album and their first to be released on their new label, Prosthetic Records.
Alex Vinci, Brasko, and Conal Murphy of The Last Vinci have released a lovely album in The Revolution is Made Together (Narrow Door). The album is like happiness flying through the clouds. The songs on The Revolution is Made Together have a pleasant, even keeled feel.
Not content to just let the sludgy boi/spooky girl pairings have all the fun with multi-artist collaborations in Doom, A Story Of Darkness And Light (Stickman Records)features the coming together of Elder and Kadavar as Eldovar (I don’t know where that ‘o’ comes from either). The two groups certainly make for interesting bedfellows; while both are arguably rooted in Seventies Rock traditions, Elder has evolved to Heavy Prog splendor while Kadavar largely subsists on off-the-cuff Stoner Blues. However, their shared interest in various genre experiments as well as established track records of high quality material gives plenty of fertile ground for such a union.
Five albums into a career as one of the top bands in the modern Stoner Doom scene, Monolord offers their mellow, tripped-out effort to date with Your Time To Shine (Relapse Records). While there’s still plenty of dank fuzziness to go around, it feels almost like a backdrop at times as the cleaner guitar textures are given near equal priority and the vocals are at their most prominent. Fortunately, it feels like more of a culmination of a gradual trajectory rather than a radical shift in direction; after all, these elements started gaining traction on 2019’s No Comfort and it’s easy to imagine guitarist/vocalist Thomas V. Jager’s 2020 solo album rubbing off on the process.
Witchcryer’s second full-length album comes with a noticeably broader scope in comparison to their 2018 debut. In contrast to the more groove-friendly approach to Doom Metal seen on Cry Witch, the song lengths on When Their Gods Come For You (Ripple Music) run longer with a greater emphasis on atmosphere and methodical structuring. The lyrics also work to give the album a more palpable sense of purpose, running the gamut of underworld and death figures from various world mythologies.
The first proper album from Heavy Temple sees the Philadelphia power trio in a rather interesting position. Aside from featuring a new lineup of players behind bassist/vocalist High Priestess Nighthawk, Lupi Amoris (Magnetic Eye Records) doesn’t seem too different from the two EPs released before it. It isn’t that much longer than those EPs, consisting of five tracks totaling thirty-three minutes long, and is executed in a similarly free-flowing Heavy Psych style. Continue reading