Legendary German Instrumental post-Rock/post-Metal band Long Distance Calling will release their new concept album, Eraser, releasing on earMusic on August 26th, 2022. The band has released an incredible series of music videos for the new record which you can check out here. Ghost Cult is teaming up with the band to give away three merch bundles worth $120 with some unique items! Perfect for true LDC fans! We will give away 3 bundles in total! US residents only. Details to win here:
Tag Archives: Post Rock
ALBUM REVIEW: God Is An Astronaut – The Beginning Of The End
For the twenty-year anniversary of their debut album The End Of The Beginning, post-rock wizards God Is An Astronaut have revamped the record in a live studio setting, reversing the title to The Beginning Of The End (Napalm Records). The new recordings polish the songs up, flashing the band’s growth in musicianship while staying true to the original song structures. The improved production and performance have each instrument sounding more well-balanced, enhancing every melody and soundscape to a more cinematic level, revealing their fullest potentials. Continue reading
ALBUM REVIEW: Saor – Origins
Andy Marshall is the poster child for harnessing the random beauty of nature and threading it together with the limitless opportunity atmospheric folk/black metal presents. His Caledonian imprint (a fancy, old-fashioned way of saying Scotland) isn’t foreign to the scene, but the coming together of his various musical arrangements is second to none. And that’s a hill I will die on.Continue reading
CONCERT REVIEW: Candlemass – Primitive Man – Mortiferum, and More Live at Le Poisson Rouge
Doom metal reigned supreme at Greenwich Village’s Le Poisson Rouge on a Wednesday night. Headlining Swedish doom legends Candlemass sold out the show with support from Primitive Man, Mortiferum, and others.
Boris, Pelican, Nothing, Pianos Become the Teeth, Junius, and More Booked for Post. Fest
Indianapolis post-rock festival Post. Festival has announced its 2022 dates and lineup. As always, Post. Festival seeks to bring together both musicians and fans of post-adjacent genres “without the aid of commercial status.” This year’s line-up includes: Boris, Pelican, Nothing, Pianos Become the Teeth, Junius, Arms and Sleepers, Coastlands, I Hear Sirens, Facs, Glassing, Pillars, Fayle, Colin Phils, Glacier, Brave Arrows, Black Flak and The Nightmare Fighters, & Onus.
ALBUM REVIEW: GGGOLDDD – This Shame Should Not Be Mine
GGGOLDDD, based in the Netherlands, have for the past decade been releasing material that defies genre conventions and blurs the boundaries between all manner of musical styles, from Metal, to post-Punk, to Pop, to Trip-Hop. Their fifth full-length release, This Shame Should Not Be Mine (Artoffact Records) is based around deeply personal themes to vocalist Milena Eva, who uses this record, conceived during the 2020 lockdown, to address traumatic events including sexual assault.
EP REVIEW: Wrack – Repulsive Gravity
I’m going to do my best to word this the right way so people can get my point without seeming like I’m insulting the artist here. I’m not looking to have a Jane Campion moment here after all. I’ve listened to Wrack’s Repulsive Gravity, and I did enjoy it, but it seems like money was left on the table. Allow me to explain.
ALBUM REVIEW: E-L-R – Vexier
Vexier, the sophomore full-length from Switzerland’s enigmatic post-metal / doomgaze / experimental rock outfit E-L-R (Prophecy Productions), is a record that takes its time to get where it needs to. The record features five tracks spanning a total of 45 minutes; the shortest song is more than six-and-a-half minutes.
ALBUM REVIEW: Sylvaine – Nova
Sylvaine is the pseudonym of Norway’s Kathrine Shepard, a classically trained composer, singer, and multi-instrumentalist. Since 2014 Shepard has been releasing albums as Sylvaine, of which Nova (Season of Mist) will be the fourth (not counting a 2020 split with Unreqvited).
ALBUM REVIEW: SOM – The Shape Of Everything
We all enjoy surprises, don’t we? 2022 has begun stronger than 2021 at this point bringing at least ten new, exciting album releases and we’re just only about to enter the fourth week of the year. But no album has given me the chills as much as SOM’s The Shape Of Everything (Pelagic Records).