ALBUM REVIEW: Uniform – American Standard


New York City’s Uniform’s new album American Standard (Dias Records ) finds vocalist Michael Bearden in a soul-baring exploration of his struggles with bulimia. The album serves as Bearden’s catharsis. The strangled snarl of his yelled vocals paints an accurate picture of the self-loathing that comes with this neurosis. This captures a raw emotional tension that lurks under the mood of the songs. This is delivered through their ability as songwriters, which is a somewhat different story. The album begins with a sprawling opening track. For twenty-one minutes you are hit with a pounding drone, at times this grooves at it drones. This is the first of the sonic dichotomies this album is full of, so if you do not appreciate clashing concepts, it might not be for you.

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ALBUM REVIEW: Machine Head – ØF KINGDØM AND CRØWN


 

I remember one-time reading Revolver magazine’s review for Through the Ashes of Empires and while it was a very positive piece the writer felt that despite being a great step forward it may have been too little, too late for Machine Head. Hard to believe now, but in those days some perceived Machine Head as being dead in the water following the more mainstream stylings of The Burning Red and the ill-timed Supercharger. 

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ALBUM REVIEW: GGGOLDDD – This Shame Should Not Be Mine


GGGOLDDD, based in the Netherlands, have for the past decade been releasing material that defies genre conventions and blurs the boundaries between all manner of musical styles, from Metal, to post-Punk, to Pop, to Trip-Hop. Their fifth full-length release, This Shame Should Not Be Mine (Artoffact Records) is based around deeply personal themes to vocalist Milena Eva, who uses this record, conceived during the 2020 lockdown, to address traumatic events including sexual assault.

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