Tag Archives: post-metal

ALBUM REVIEW: Amenra – De Doorn

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Long established as one of the greatest live acts on Earth, Amenra has also always had great, purposeful albums with heady concepts. Following their Mass titled albums I through VI, released over fourteen years, the band has rebirthed itself into a new final form. De Doorn begins their association with the mighty Relapse Records, continuously the arbiter of good taste for extreme music. From epic post-Metal, pastoral Folk motifs, moody post-Rock moments, to wicked eruptions of pain and grief stricken movements; Amenra’s music simultaneously feeds the brain and soul.  

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Amenra Shares New Single and Video, New Album “De Doorn” Incoming

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Post-Metal legends Amenra have unleashed a new single and video –  “De Evenmens.” The track comes from their new album De Doorn, their first under theory new deal for Relapse Records, due out on June 25th 2021. Watch the new video directed by Dehn Sora, right now and pre-order the album at the link below. Continue reading →


REVIEWS ROUND-UP: King Gizzard and the Lizard Wizard, Acid Mammoth, and Sunnata

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King Gizzard And The Lizard Wizard – L.W.

As indicated by the title, King Gizzard And The Lizard Wizard’s seventeenth full-length essentially serves as the second half of 2020’s K.G. and picks up where it left off stylistically. L.W. (Flightless Records) sees the completion of the microtone trilogy that started with 2017’s Flying Microtonal Banana, emphasizing a similar mix of Middle Eastern scales, rhythmic percussion, and loosely flowing song structures. ‘Static Electricity’ and ‘See Me’ do the best job of dialing that vibe with their upbeat pacing while the grandiose chugs and life-affirming chants make the closing ‘K.G.L.W.’ one of the band’s most over the top Doom Metal dives to date.Continue reading →


ALBUM REVIEW: Green Druid – At The Maw Of Ruin – Earache Records

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The second full-length album from Denver’s Green Druid promises broader influences compared to its predecessor, 2018’s Ashen Blood. It’s certainly true to an extent as the harsher vocals pop up more frequently and a couple of segments go-between post-Rock and Death Metal, but At The Maw Of Ruin (Earache Records) ultimately keeps to a steady Stoner Doom template. Comparisons could be made to their fellow Coloradans in Khemmis as the album utilizes a similar combination of monolithic riffs, drawn-out structures, and a desolate atmosphere.

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ALBUM REVIEW Boris and Merzbow – 2R0I2P0 (Twenty Twenty RIP)

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2R0I2P0 (Twenty Twenty RIP, Relapse Records)  is a collaboration album from two luminaries of the Japanese experimental music scene, Boris and Merzbow. Boris has released a vast number of albums over the past 25 years, and their sound ranges from psychedelic post-rock to crushing metallic doom riffery. Noise artist Merzbow (the brainchild of Masami Akita) has been even more prolific, having released hundreds of records over a 40-year career.

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ALBUM REVIEW: Solstafir – Endless Twilight of Codependent Love – Season of Mist

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For the most part, Solstafir’s seventh full-length album follows in the footsteps of its predecessor, 2017’s Berdreyminn (Season of Mist). The songwriting still largely favors the band’s subdued side with influences ranging from Post Punk, Prog Rock, and Ambient greatly informing the Post Metal whole. Tracks like ‘Rokkur’ and ‘Her Fall From Grace’ are heavy on atmosphere with extensive space to breathe and ‘Or’ throws a curveball with its almost Jazz-tinged rhythms.

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ALBUM REVIEW: REZN – Chaotic Divine 

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After a few out-of-genre collaborations with Lume and Catchechism, REZN’s third proper album returns to their signature Electric Wizard meets Elder on Quaaludes style. Chaotic Divine (Off The Record Label) is right in line with its predecessors, for the most part, pairing the sprawling length of 2017’s Let It Burn with the broadened atmospherics and instrumentation of 2018’s Calm Black Water. However, the heightened Ambient and Post Rock influences have resulted in what is easily their most ambitious effort so far.

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ALBUM REVIEW: Chrome Waves – Where We Live

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Considering the lengthy silence between Chrome Waves self-titled EP in 2012 and 2019’s  A Grief Observed, it’s great that the group has been so prolific since their comeback. Their second full-length album, Where We Live (Disorder Recordings), picks up where its predecessor left off while featuring its own set of changes. Dustin Boltjes (ex-Skeletonwitch, Sacred Leather) is on drums in place of the tragically passed Bob Fouts, and the eclectic influences behind the band’s melancholic sound are given room to expand even further.Continue reading →


ALBUM REVIEW: Uniform – Shame

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At first impression of Uniform’s latest LP Shame (Sacred Bones) the impression I’m left with is that this is a strange album, if not group. And don’t confuse strange for off-putting, quite the contrary actually. Song after song I’m legitimately curious as to how the next slab of noise and guitars is going to render out. Shame doesn’t come across as musicians playing in unison as much as an A.I. becoming aware of what music is and taking a stab at it. Continue reading →


EXCLUSIVE STREAM: Dynfari – “Langar nætur”

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Icelandic Metal collective Dynfari will release their new opus, Myrkurs er þörf, on September 18th via Code 666! Their fifth album furthers the narrative of their haunting mix of atmospheric Black Metal and post-Rock music. To match the kvlt inspired sonics, the iconic looking album artwork was crafted by Metaztasis (Watain, Behemoth). Their last album got high marks from our site, and this new release figures to be one of the top releases this fall. Pre-orders are live on Bandcamp now and you can stream their new single, “Langar nætur”, here at Ghost Cult! 

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