Andy Marshall is the poster child for harnessing the random beauty of nature and threading it together with the limitless opportunity atmospheric folk/black metal presents. His Caledonian imprint (a fancy, old-fashioned way of saying Scotland) isn’t foreign to the scene, but the coming together of his various musical arrangements is second to none. And that’s a hill I will die on.Continue reading
Bandcamp has gained immense traction and reverence as of late, ever since the music streaming website introduced “Bandcamp Fridays,” allotting 100% of artists’ proceeds to said artists without taking fees. A by-product of that has been releases that can only be streamed via Bandcamp, and Tombs are the latest to follow that path.
Doom metal reigned supreme at Greenwich Village’s Le Poisson Rouge on a Wednesday night. Headlining Swedish doom legends Candlemass sold out the show with support from Primitive Man, Mortiferum, and others.
“It’s gonna be cold, it’s gonna be grey, and it’s gonna last you for the rest of your life.” I believe that was the famous Bill Murray quote when asked his opinion on Cavernlight’s latest, As I Cast Ruin Upon The Lens That Reveals My Every Flaw (Translation Loss). Nah, I’m just having a bit of fun with Cavernlight. Or maybe I’m not considering that even though it won’t “last you for the rest of your life” (the album barely cracks the forty-minute mark) the cold and grey remarks certainly apply here.
QAALM is a new band featuring members and former members of Act Of Defiance, Harassor, and Seven Sisters Of Sleep. Described as atmospheric funeral doom, the LA-based group worked on writing and recording throughout 2020 and 2021, and Resilience & Despair (Hypaethral/Trepanation) is their resulting debut album. Continue reading
We all enjoy surprises, don’t we? 2022 has begun stronger than 2021 at this point bringing at least ten new, exciting album releases and we’re just only about to enter the fourth week of the year. But no album has given me the chills as much as SOM’s The Shape Of Everything (Pelagic Records).
San Antonio, Texas Post Metal band The Grasshopper Lies Heavy finishes the year releasing a new single entitled Indifference Apocalypse as part of their new split with the band WOORMS called Various Plants and Animals Under Domestication. The video showcases esoteric images of some of the United States social and political events from recent times. The track itself is a very heavy and catchy song that will rest in your mind for a while. Watch the video for ‘Indifference Apocalypse’ below:
Indigo Raven – Looking For Transcendence
Indigo Raven plays a style of Doom/Post Metal rooted in Chelsea Wolfe’s heaviest excursions, contrasting atmospherically monolithic guitar chugs and slow burn rhythms with ethereal vocals and occasional electronics. Those vocals in particular help the French trio stand out, putting on a passionately bluesy performance that differs from the more vulnerable approach of peers like Frayle and Mammoth Weed Wizard Bastard.
Long established as one of the greatest live acts on Earth, Amenra has also always had great, purposeful albums with heady concepts. Following their Mass titled albums I through VI, released over fourteen years, the band has rebirthed itself into a new final form. De Doorn begins their association with the mighty Relapse Records, continuously the arbiter of good taste for extreme music. From epic post-Metal, pastoral Folk motifs, moody post-Rock moments, to wicked eruptions of pain and grief stricken movements; Amenra’s music simultaneously feeds the brain and soul.
