German instrumental three-piece ZAHN (featuring members of Einstürzende Neubauten and Heads) combines musical elements that might seem strange on paper, but make perfect sense on record.
Tag Archives: Noise Rock
ALBUM REVIEW: Rile – Pessimist
Hailing from Salt Lake City and formed by Cult Leader bassist Sam Richards, Rile are a band with fine credentials who have recently landed on the Church Road Records roster and have created a solid debut for the UK label, which unashamedly takes inspiration from Converge, Trap Them and the like.
CONCERT REVIEW: Igorrr – Melt-Banana – Otto Von Schirach Live at The Crofoot
It was a pleasant, late summer evening in Metro Detroit last Wednesday when a hubbub started at the Crofoot. The cherished multi-venue complex was hosting Igorrr’s long-awaited Spirituality & Distortion Fall 2023 run. A multitude of folks paraded into the music hall ready to finally see this act that has been absent for too long. This independent concert space was a supreme choice to cater the wildly unique and epic sounds of French musician, Gautier Serre.
EP REVIEW: The Callous Daoboys – God Smiles Upon The Callous Daoboys
Much like the Atlanta band’s name is a mocking twist on the Dallas Cowboys, their take on metalcore is a mocking twist on the genre. Normally this sort of thing is not my personal taste, and I write it off as MySpace metal, however these guys have perverted in such a manner that it appeals to me. They are aggressive yet highly skilled in the mathematics of their contorted riffing.
ALBUM REVIEW: KEN Mode – VOID
With spoken word poetry recitations comparable to Allen Ginsberg’s Howl and strong emphasis on immense existential dread, KEN Mode returns with their newest studio album VOID, released via Artoffact Records, the band’s ninth studio album.
ALBUM REVIEW: Great Falls – Objects Without Pain
Well into a decade now, Seattle, Washington’s Great Falls have perhaps been an underrated entity, but they certainly are a special one. Their sound embraces the arena around noise rock and post-hardcore, and they have proven to be a strongly emotive force. Some changes in personnel and a previous EP release in Funny What Survives created high expectations about a long-awaited follow-up album, if not quite preparing anyone for how quite distressing it would prove to be.
ALBUM REVIEW: Mr. Phylzzz – Fat Chance
Amphetamine Reptile, remember them? The legendary Noise-Rock label home to countless legends such as Helmet, Melvins, The Jesus Lizard, Tar, etc etc. In later years a newer generation of bands emerged that includes Gay Witch Abortion, White Drugs, Hepa-Titus, and of course Mr Phylzzz.
ALBUM REVIEW: Chamber – A Love To Kill For
Since their debut album in 2019, Chamber have made a formidable name for themselves on the hardcore scene and live circuit, featuring all the stand-out features any band wants to showcase to become one of the upcoming bands of the genre. “No-one needs us to be the pretty band.” states guitarist, Gabe Manuel, talking about the influences for the latest release.
ALBUM REVIEW: Will Haven – VII
Will Haven are a band who have diligently been plugging away since 1995, and with VII (MinusHead Records), the cult Californian’s have provided a brash, noisy slice of post-hardcore, which has a raw and relentlessly abrasive sound throughout.
ALBUM REVIEW: healthyliving – Songs Of Abundance, Psalms Of Grief
Songs Of Abundance, Psalms Of Grief (La Rubia Producciones) is the debut album from Edinburgh-based healthyliving, who comprise of singer Amaya Lopez-Carromero (Maud The Moth), guitarist/bassist Scott McLean (Ashenspire / Falloch) and drummer Stefan Potzsch. The project is the culmination of the three working together under various different guises over the years and follows on from their EP release Until/Below (2021).