ALBUM REVIEW: Aivvass – Spiritual Archives


The occult has a questionable history in Rock music, as it is typically used for window dressing with little substance behind it. Continue reading


EP ALBUM REVIEW: Act Of Entropy- Oupiroullel



Despite the world known adage that you should “never judge a book by its cover”, sometimes cover art is an excellent snapshot that gives a good indication of what is to come. The artwork in the case of Oupiroullel (Centipede Abyss) manages to both indicate what is to come with its frenzied, warped and vivid artwork, whilst somehow doing absolutely nothing to give preparation.
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EP REVIEW: Kontact – First Contact


Kontact’s debut EP is rather tricky to pin down in terms of style. Voivod makes the most immediate comparison with an aesthetic immersed in similar cosmic theming and the vocals channeling Snake in a similarly manic yet almost robotic sneer. However, the guitar work draws more on Speed Metal gallops and doomy riffs than the high-pitched dissonance that would come with such an association. King Gizzard at their heaviest might also be an applicable reference point though there isn’t quite as much psychedelic fuzz wafting about.Continue reading


ALBUM REVIEW: At The Gates – The Nightmare of Being


At The Gates is a household name to every Melodic Death Metal fan out there. Formed over thirty years ago, this group of guys invigorated the scene by gifting the people with their unruly and extreme proclamations. Along with several other eager acts from their hometown, like Dark Tranquility and In Flames, ATG bolstered what is now defined as Gothenburg Melodic Death Metal. The signature sound that they captured still storms the scene today, showing off the band’s Swedish roots with a grim and wistful flourish. They continue on to profess their dark truths on their new seventh full-length record, The Nightmare of Being (Century Media Records). 

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ALBUM REVIEW: Yatra – All Is Lost


While All Is Lost (Grimoire Records) is the second album that Yatra has released in 2020, it is hardly a retread of its predecessor. The extreme elements that were merely blooming on Blood Of The Night are pushed to even further extents this time around. The drums have a much more aggressive presence with several busy fills on display while the fuzzy guitar and bass tones are much fuller. It never goes into full Blackened territory, but the more active Stoner-Sludge approach makes their High On Fire influence even more apparent.Continue reading


ALBUM REVIEW: Unleash The Archers – Abyss


Continuing with the concept of Apex (Napalm Records), Canadian power metal quartet Unleash The Archers return with their fifth full-length album, Abyss (Napalm), a direct sequel to its 2017 predecessor.Continue reading