Jaye Jayle went from being Evan Patterson’s solo project that explored sounds outside of what he did in Young Widows and has now become a full-fledged band.Continue reading
Tag Archives: Ghost Cult Magazine
ALBUM REVIEW: Mogwai – The Bad Fire
Robert Smith once called these guys his favorite band and it is easy to hear why. Eleven albums into their career, Mogwai has a clear focus on their sonic journey on The Bad Fire (Rock Action Records). Vocals appear right from the first song, serving as a smooth texture that sits in the swirl of sound. Things get more into their older bran of majestic melancholy on the second song. It’s less pop-oriented than the opening track. If you came here wanting post-rock this is the song for you. “What Kind of a Mix is This” feels like it just spills out from the end of the lingering ebb of the previous song. It takes a minute for a guitar melody to establish the song’s footing.Continue reading
INTERVIEW: Kurokuma’s Joe E. Allen Reveals the Sludge Behind “Of Amber and Sand”
In this episode, Keefy sits down with Joe E. Allen the thunderous drummer for Kurokuma about their latest sludge/doom triumph, “Of Amber and Sand” last summer. Joe breaks down how the band made their new album, the blessing and curse of being DIY, how much a band earns and loses on tour in a revealing chat about the current state of the music business.Continue reading
ALBUM REVIEW: Vertex – The Purest Light
For a microgenre that asserts itself to be progressive and quite serious, the result in regards to band members is quite the opposite. Djent, while having quite serious origins in the progressive metal-sphere, quickly turned quite tongue-in-cheek, with even big hitters Periphery using their tongue-in-cheek album title Djent is not a genre as a light-hearted jab at the genre. Vertex, on the other hand, seem like they’re bringing in a more serious tone to the scene, taking inspiration from huge acts in the acne with their debut EP in 2019, the band have been hard at work to follow this up with their debut album, The Purest Light (Le Cri Du Charbon). This may have taken over 5 years, but the band has grafted hard to create this 53-minute behemoth. Continue reading
ALBUM REVIEW: ALT BLK ERA – Rave Immortal
It’s a cliche, but this album blew me away. Blew me away like the guy in the old Maxell ads. But that’s not right because you cannot listen to ALT BLK ERA’s Rave Immortal (Earache Records) without legit dancing. Finds like this are why I love doing these reviews. Let me do a reset to where I first hit “play”.Continue reading
ALBUM REVIEW: Harakiri For The Sky – Scorched Earth
Getting a Harakiri For The Sky record release in the heart of winter will pull at your heartstrings. Scorched Earth (AOP Records) does just that for over an hour and doesn’t overstay its welcome. It is an audible voyage through pain, suffering, and loss that is both cathartic and beautiful. Every song has its own story and emotional journey that compliments the songs around it. Oh, and there’s also a sweet Radiohead cover at the end to ice the cake.Continue reading
ALBUM REVIEW: Dax Riggs – 7 Songs For Spiders
Let’s hope the Acid Bath reunion shows, bring more attention to Dax Riggs’ solo work. It’s been 13 years since his last release, and Riggs finds himself. Reigniting his songwriting magic on 7 Songs For Spiders (Fat Possum Records). This time around Dax is backed by a three-piece band of grooving Cajuns who slither through these songs with a melancholic pulse, taking things back to his darker roots. The opening track “deceiver” finds a dream-laden haze hovering over his soulful speculation. It’s almost like gospel music for someone whose acid trip has been tempered by opiates. It picks up closer to what “We Sing of Only Blood or Love” let off, though more sonically layered. His trademark croon sounds as good as ever. Continue reading
ALBUM REVIEW: The Great Old Ones – Kadath
It’s been six years since the last malformed utterances of The Great Old Ones, but now the French H.P. Lovecraft worshippers have returned from the cosmic void, not only with new album Kadath (Season of Mist) but with a change in direction.Continue reading
ALBUM REVIEW: Wardruna – Birna
There is just so much to decipher when it comes to incorporating Norse-themed references into the creative process of a sonic craftsmanship; either it is in a mythological, esoteric, or cosmological sense– the discourses may vary from the dead warriors called Einherjar who Valkyries brought to Valhalla, the nine realms of Yggdrasil which started off as a primordial void called Ginnungagap, the great winter that preceded Ragnarok which is Fimbulvetr, to the trance-like state of the Berserkers which is called Berserkrgang.. I’m pretty sure many bands –especially the ones surrounding the Nordic Folk and Metal scene– have immensely covered the said topics enough already. But Wardruna is one of the precursors among the niche of Norse-themed music. It just appears to me that they have succeeded in making the very topics of ancient Norse cultural and esoteric traditions feel familiar towards those who are initially not deeply invested in the culture. Wardruna isn’t just some regular ordinary Norse-themed Folk collective; their musical trajectory is a testament of how profoundly well-versed they are when it comes to exploring their roots; the sorcery, the runes, the rites of passage, and the traditions.Continue reading
EP REVIEW: Ex Deo – The Year Of The Four Emperors
Written Examination Paper – January 2025
(Examiners Guide
Q1. History
Which ancient culture does Ex Deo write about?