METALCORE MELTDOWN: Album Reviews Round up – Our Hollow Our Home, Sylar, A Light Divided, God Complex


There is a lot to admire about Metalcore’s longevity as the spearhead of the mainstream end of Metal. Each of the other leading Rock/Metal subgenres that had their turn in the sun celebrated a much shorter, brighter burn as the leading light. Heavy Metal dominated the early eighties, before Thrash seized the throne in 1986, only to be replaced by Grunge five years later, which in turn was bumped by Nu-Metal in a relative heartbeat in the mid-nineties. Yet, if we take Alive Or Just Breathing (Roadrunner) as a yardstick (and some of us old bastards still prefer to think of metalcore in its original form, and acts such as Earth Crisis, Crisis and bands without the word crisis in their name, such as Integrity have had to accept the term has been stolen from us), Metalcore has headed things up for over fifteen years.

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Unleashed – The Hunt For White Christ


Whenever the subject of Vikings and Swedish Death Metal arises, Stockholm’s Unleashed invariably find themselves at the forefront of any debate or conversation along with hairy growlers Amon Amarth. Lazy and unnecessary musical comparisons have constantly plagued both sides over the years, but the two remain quite different beasts. Whereas the beardy bunch from Tumba dove straight into Viking folklore, long-ships and battleaxes right from their inception, the more Black Metal influenced Unleashed took their time, remaining just as comfortable tackling different subjects such as war, evil, politics, the media, murder and social injustice, sometimes even evoking the spirit of Manowar by writing songs simply for the glory of METAL. Continue reading


The Struts – Young and Dangerous


With the resurgence of Classic Rock, bands like The Temperance Movement, Monster Truck and recently Greta Van Fleet, and the imminent release of the Bohemian Rhapsody film it is the perfect time for something new from The Struts. Formed in 2012, they are a four piece Rock band with an undimmed love for Queen, The Darkness and The Rolling Stones. Continue reading


Jessica Moss – Entanglement


Arguably more recognisable for her work with Thee Silver Mt. Zion Memorial Orchestra, Canadian violinist and composer Jessica Moss also has a nifty line in creating solo works of stellar magnificence. Second album Entanglement (CST Records) is a journey through string-led soundscapes and unnerving Electronica that renders the mind a bewitched mess.Continue reading


The Browning – Geist


Being able to sound fresh both within metal, and then within your own career, is a hard thing to achieve. So, credit where credit is due, The Browning are still leading the way with their brand of synth-heavy Metalcore. New album Geist (Spinefarm Records) shows the band cementing their sound and even bringing more extremity to the table.Continue reading


Leonov – Wake


Much debate surrounds the basis of Norwegian quintet Leonov – are they Doom? Are they post-Rock?? Do they eat much fårikål??? Yawn…what’s certain is that the band’s sound is heavy, melodic and steeped in melancholy, as sophomore album Wake (Fysisk Format) bears out.Continue reading


Daughters – You Won’t Get What You Want


You Won’t Get What You Want (Ipecac) sees the welcome return of Rhode Island creatives Daughters: this being their first album since their 2013 reformation, and fourth in all. The band’s affinity for complex noise is undiminished yet has refined with age and experience.Continue reading


Greta Van Fleet – Anthem Of The Peaceful Army


A lot has been made of Greta Van Fleet in the run-up to the drop of their debut Anthem Of The Peaceful Army (Republic/Lava). They have had a meteoric rise and are now signed to the biggest record label in the world at pretty tender ages. Sure they wail and rule copying the light, shade, and lore of Led Zeppelin, sometimes too well. You’ll find no argument from this writer about Zep being the best rock band ever, and these are good building blocks. On the other hand, quick critics and fans haven’t noted how great these four guys are. At such a young age, you need to judge them and judge slowly. These are the fledgling attempts at figuring it all out, developing as writers, and post-teen brains forming as adults. When you listen to this album, turn off your cynical self and listen to the love and talent pouring out of your speakers. Continue reading


Bloodbath – The Arrow Of Satan Is Drawn


Despite being established as Death Metal stalwarts, and already perhaps even close to attaining legendary status, the road for Bloodbath has often been seemingly a little bit bumpy. Admittedly a band that wasn’t always the main priority for its various members, over their time Bloodbath has had to lurk in the shadows waiting for busy schedules of to align. With alumni from the likes of Katatonia and Opeth, and more recently Paradise Lost, it has meant live shows are a rarity and album release schedules somewhat inconsistent. However, with Katatonia now on hiatus, it feels like Bloodbath can become a more prominent concern, which certainly seems evident with the fact that The Arrow Of Satan Is Drawn (Peaceville) is quite possibly their most vibrant and strongest effort to date.Continue reading


Anathema – Internal Landscapes


As one door closes, another opens. Or so the saying goes. Yet the conclusion of the A Natural Disaster (Music For Nations) run saw British Progressive Rock act Anathema complete their second cycle, one that had taken them from Doom (Serenades through The Silent Enigma) through a transitional period through more Progressive and emotional waters (Eternity through to …Disaster including the exceptional Judgement), alone in a room without an opening ahead of them, with apparently limited options. Externally, at least, the future of the band seemed shrouded, and their continued existence, let alone any future success, appeared unlikely.Continue reading