Ghost Cult contributor and model Christine Hager has some sick tastes (in both senses of the word) in the dark and nasty sounds that infest our corner of the musical world…Continue reading
Ghost Cult contributor and model Christine Hager has some sick tastes (in both senses of the word) in the dark and nasty sounds that infest our corner of the musical world…Continue reading
In previous incarnations of these end of year pieces, whether hosted by the good ship Ghost Cult, or wherever, I’ve indulged myself by launching into a kind of state of the world address at the outset. You’ll be pleased to know that, in the main, I’m going to spare you such an ordeal and just get down to the business of Heavy Metal brilliance. Why, you cry? Because, listening-to-music-wise (and in general), I’m in the best health I’ve been in for a good twenty years, I’m back in my zone of loving what I love… oh, and there’s a lot of damn good metulz to get through! So, here be my snapshot in time at my thoughts on 2017… (note, “favourite”, not “best”)Continue reading
We made it! We’ve reached the end of our countdown of the Top Albums of 2017. As voted on by our global team of experienced editors, reviewers, photographers and tabulated by fearless Ghost Cult Associate Editor Steve Tovey: we give you our number 1 pick: Mastodon – Emperor of Sand (Reprise).Continue reading
Continuing our round-up of the very, VERY best albums of 2017, we pick things up where Part 1 left off… So, without further ado, immerse yourself in our recommendations of our favourite and the absolute best albums of the year, as we bring you Part 2 (25 – 2) of the official Ghost Cult Album of the Year (2017) countdown:Continue reading
As the dust begins to settle on what will undoubtedly go down in a history as a fine year for heavy and progressive music, the Ghost Cult crew present our favourite albums of 2017. While a year with only a couple of genuine life-changing, genre redefiners, nevertheless 2017 has seen an absolute plethora of very, very high quality releases. With over 400 albums reviewed this year, at an average of 7.5/10, there was a deep pool of quality releases selected and dissected throughout the year. A genuinely democratic inner sanctum here, we now present Part 1 of an official Ghost Cult Album of the Year (2017) run down that s truly representative of Ghost Cult, our writers, and our musical position as a site. Please share your thoughts and comments on the music we collectively love, as we countdown from 50 through to 26…Continue reading
In another list to help put 2016 behind us, Ghost Cult contributor and celebrated author Jason Korelenko chips in with his Top 10 Albums Of 2016. Continue reading
For the record, I’m not a huge fan of the first person approach when it comes to reviews or metal writing, but as this is a personal run down, and seeing as it’s you lot, I’ll break that particular fourth wall just this once…Continue reading
This past year will go down as one of triumph over tragedy, more so than any other recent memory. It seems that across the board suffering in the world and on a personal level has been paramount in people’s minds. The same can be said for French metal gods Gojira, whose Magma (Roadrunner) is nothing short of brilliance, created from a place of angst and suffering on a level the band hasn’t dealt with before. Not only is it is a technical and artistic marvel, it stands apart on an emotional level for the creators, as well as the listener. The if the best art is made from a well of pain, Gojira hit the bottom of the well and came through an ocean on the other side to get here. Continue reading
Casting a beady eye over the albums that shaped the soundtrack to our Ghost Cult Albums Of The Year List for 2016, one thing becomes obvious… there are no dominant stylistic trends, no bandwagon sub-genres, other than a plethora of bands looking to push boundaries, whether that is to create new sounds or to refine and redesign. Intelligence, integrity and progression is king, and challenging and interesting approaches to designing and creating music are prevalent, with the deconstruction and cerebral reconstruction of heavy music an ongoing and fascinating development.Continue reading